§ 10. Among this pastoral simplicity and formal sweetness of domestic
peace, Durer had to work out his question concerning the grave. It
haunted him long; he learned to engrave death's heads well before he had
done with it; looked deeper than any other man into those strange rings,
their jewels lost; and gave answer at last conclusively in his great
Knight and Death--of which more presently. But while the Nuremberg
landscape is still fresh in our minds, we had better turn south quickly
and compare the elements of education which formed, and of creation
which companioned, Salvator.
§ 11. Born with a wild and coarse nature (how coarse I will show you
soon), but nevertheless an honest one, he set himself in youth hotly to
the war, and cast himself carelessly on the current of life. No
rectitude of ledger-lines stood in his way; no tender precision of
household customs; no calm successions of rural labor. But past his
half-starved lips rolled profusion of pitiless wealth; before him glared
and swept the troops of shameless pleasure. Above him muttered Vesuvius;
beneath his feet shook the Solfatara.
In heart disdainful, in temper adventurous; conscious of power,
impatient of labor, and yet more of the pride of the patrons of his
youth, he fled to the Calabrian hills, seeking, not knowledge, but
freedom. If he was to be surrounded by cruelty and deceit, let them at
least be those of brave men or savage beasts, not of the timorous and
the contemptible. Better the wrath of the robber, than enmity of the
priest; and the cunning of the wolf than of the hypocrite.
§ 12. We are accustomed to hear the south of Italy spoken of as a
beautiful country. Its mountain forms are graceful above others, its
sea-bays exquisite in outline and hue; but it is only beautiful in
superficial aspect. In closer detail it is wild and melancholy. Its
forests are sombre-leafed, labyrinth-stemmed; the carubbe, the olive,
laurel, and ilex, are alike in that strange feverish twisting of their
branches, as if in spasms of half human pain:--Avernus forests; one
fears to break their boughs, lest they should cry to us from their
rents; the rocks they shade are of ashes, or thrice-molten lava; iron
sponge, whose every pore has been filled with fire. Silent villages,
earthquake-shaken, without commerce, without industry, without
knowledge, without hope, gleam in white ruin from hill-side to
hill-side; far-winding wrecks of immemorial walls surround the dust of
cities long forsaken: the mountain streams moan through the cold arches
of their foundations, green with weed, and rage over the heaps of their
fallen towers. Far above, in thunder-blue serration, stand the eternal
edges of the angry Apennine, dark with rolling impendence of volcanic
cloud.
Public-domain text, read in full here on John Shaqi.
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