On the absence of belief in a good supreme Being, follows, necessarily,
the habit of looking to ourselves for supreme judgment in all matters,
and for supreme government. Hence, first, the irreverent habit of
judgment instead of admiration. It is generally expressed under the
justly degrading term "good taste."
§ 4. Hence, in the second place, the habit of restraint or
self-government (instead of impulsive and limitless obedience), based
upon pride, and involving, for the most part, scorn of the helpless and
weak, and respect only for the orders of men who have been trained to
this habit of self-government. Whence the title classical, from the
Latin _classicus_.
§ 5. The school is, therefore, generally to be characterized as that of
taste and restraint. As the school of taste, everything is, in its
estimation, beneath it, so as to be tasted or tested; not above it, to
be thankfully received. Nothing was to be fed upon as bread; but only
palated as a dainty. This spirit has destroyed art since the close of
the sixteenth century, and nearly destroyed French literature, our
English literature being at the same time severely depressed, and our
education (except in bodily strength) rendered nearly nugatory by it, so
far as it affects common-place minds. It is not possible that the
classical spirit should ever take possession of a mind of the highest
order. Pope is, as far as I know, the greatest man who ever fell
strongly under its influence; and though it spoiled half his work, he
broke through it continually into true enthusiasm and tender thought.[2]
Again, as the school of reserve, it refuses to allow itself in any
violent or "spasmodic" passion; the schools of literature which have
been in modern times called "spasmodic," being reactionary against it.
The word, though an ugly one, is quite accurate, the most spasmodic
books in the world being Solomon's Song, Job, and Isaiah.
§ 6. The classical landscape, properly so called, is therefore the
representative of perfectly trained and civilized human life, associated
with perfect natural scenery and with decorative spiritual powers.
I will expand this definition a little.
Public-domain text, read in full here on John Shaqi.
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