Valley of Chamouni, iv. 177, 375; formation of, iv. 165; how spoiled by quarries, iv. 121; of Cluse, iv. 144; of Cormayer, iv. 176; of Grindewald, iv. 166; of Frütigen (Canton of Berne), v. 86. Venice, in the eighteenth century, i. 110; modern restorations in, ii. 8 (note); Quay of the Rialto, market scene on, i. 343; St. Mark's, mosaics on, i. 343; described, v. 286. See Topical Index. Verona, griffin on cathedral of, iii. 100; San Zeno, sculpture on arch in, v. 46. Villeneuve, mountains of, iv. 246, 287. Vosges, crags of, iv. 152. Wales, hills of, iv. 125. Weisshorn, peak of, 178. Wetterhorn (Grindelwald), iv. 166, 178. Wharfe (Yorkshire), shores of, iv. 250, 297. Yorkshire, limestone hills of, iv. 100, 246; v. 293. Zermatt, valley of, chapel in, iv. 325. Zmutt Glacier, iv. 236. INDEX TO PAINTERS AND PICTURES REFERRED TO IN "MODERN PAINTERS." Angelico da Fiesole, angel choirs of, ii. 224; attained the highest beauty, ii. 136; cramped by traditional treatment, ii. 178; decoration of, ii. 219; distances of, iv. 355; finish of, ii. 82, iii. 122; his hatred of fog, iv. 55; influence of hills upon, iv. 355; introduction of portraiture in pictures by, ii. 120, iii. 33; his purity of life, iii. 72; spiritual beauty of, iii. 33; treatment of Passion subjects by, ii. 129; unison of expressional with pictorial power in, iii. 29; contrast between, and Wouvermans, v. 283; contrast between, and Salvator, v. 283; Pictures referred to-- Annunciation, ii. 174; Crucifixion, i. 82, ii. 220; Infant Christ, ii. 222; Last Judgment, i. 85; Last Judgment and Paradise, ii. 224, iii. 57; Spirits in Prison at the Feet of Christ, fresco in St. Mark's, ii. 56 (note); St. Dominic of Fiesole, ii. 56; Vita di Christo, ii. 219. Art-Union, Christian Vanquishing Apollyon (ideal stones), iv. 307. Bandinelli, Cacus, ii. 184; Hercules, ii. 184. Bartolomeo, introduction of portraiture by, ii. 120. Bartolomeo, Fra. Pictures referred to-- Last Judgment, ii. 182; St. Stephen, ii. 224. Basaiti, Marco, open skies of, i. 84. Picture--St. Stephen, ii. 224. Bellini, Gentile, architecture of the Renaissance style, i. 103, 107; introduction of portraiture in pictures, ii. 120. Bellini, Giovanni, finish of, ii. 83; hatred of fog, iv. 56; introduction of portraiture in pictures, ii. 129; landscape of, i. 85, iv. 38; luminous skies of, ii. 44; unison of expressional and pictorial power in, iii. 29; use of mountain distances, iv. 355; refinement and gradation, i. 85. Pictures referred to-- Madonna at Milan, i. 85; San Francesco della Vigna at Venice, i. 85; St. Christopher, ii. 120; St. Jerome, ii. 216; St. Jerome in the Church of San. Chrysostome, i. 85.