Raffaelle, chiaroscuro of, iv. 47; completion of detail by, i. 82, iii. 122; finish of, ii. 83; instances of leaf drawing by, v. 35; conventionalism of branches by, v. 38; his hatred of fog, iii. 126, iv. 56; influence of hills upon, iv. 357; influenced by Masaccio, iii. 315; introduction of portraiture in pictures by, ii. 120; composition of, v. 182; lofty disdain of color in drawings of, v. 320 (note); landscape of, ii. 217; mountain distance of, iv. 355; subtle gradation of sky, ii. 47, 48; symbolism of, iii. 96. Pictures referred to-- Baldacchino, ii. 44; Charge to Peter, iii. 53, 315; Draught of Fishes, i. preface, xxx., ii. 204; Holy Family--Tribune of the Uffizii, iii. 313; Madonna della Sediola, ii. 44, iii. 51; Madonna dell' Impannata, ii. 44; Madonna del Cardellino, ii. 44; Madonna di San Sisto, iii. 56; Massacre of the Innocents, ii. 130, 179; Michael the Archangel, ii. 223; Moses at the Burning Bush, iii. 115; Nativity, iii. 341; St. Catherine, i. preface, xxxi., i. 34, 139, ii. 98, 224; St. Cecilia, ii. 136, 218, iii. 15, 54; St. John of the Tribune, ii. 44; School of Athens, iii. 26; Transfiguration, iii. 54 (note). Rembrandt, landscape of, i. 192; chiaroscuro of, iii. 35, iv. 42-47; etchings of, i. 405 (note); vulgarity of, iii. 257. Pictures referred to-- Presentation of Christ in the Temple, ii. 42; Spotted Shell, ii. 203; Painting of himself and his wife, v. 252. Rethel, A. Pictures referred to-- Death the Avenger, iii. 98; Death the Friend, iii. 98. Retsch. Pictures referred to-- Illustrations to Schiller's Fight of the Dragon, ii. 171. Reynolds, Sir Joshua, swiftest of painters, v. 191; influence of early life of, on painting of, v. 289; lectures quoted, i. 7, 44, iii. 4; tenderness of, iv. 67 (note). Picture referred to-- Charity, iii. 97. Roberts, David, architectural drawing of, i. 118; drawings of the Holy Land, i. 118; hieroglyphics of the Egyptian temples, i. 119; Roslin Chapel, i. 120. Robson G., mountain scenery of, i. 95, iii. 325.