§ 5. There were five or six ranks, from the zenith to the horizon; that
is to say, three distinct ones, and then two or three more running
together, and losing themselves in distance, in the manner roughly shown
in Fig. 79. The nearest rank was composed of more than 150 rows of
cloud, set obliquely, as in the figure. I counted 150 which was near
the mark, and then stopped, lest the light should fail, to count the
separate clouds in some of the rows. The average number was 60 in each
row, rather more than less.
[Illustration: FIG. 79.]
There were therefore 150×60, that is, 9,000, separate clouds in this one
rank, or about 50,000 in the field of sight. Flocks of Admetus under
Apollo's keeping. Who else could shepherd such? He by day, dog Sirius by
night; or huntress Diana herself--her bright arrows driving away the
clouds of prey that would ravage her fair flocks. We must leave fancies,
however; these wonderful clouds need close looking at. I will try to
draw one or two of them before they fade.
§ 6. On doing which we find, after all, they are not much more like
sheep than Canis Major is like a dog. They resemble more some of our old
friends, the pine branches, covered with snow. The three forming the
uppermost figure, in the Plate opposite, are as like three of the fifty
thousand as I could get them, complex enough in structure, even this
single group. Busy workers they must be, that twine the braiding of them
all to the horizon, and down beyond it.
And who are these workers? You have two questions here, both difficult.
What separates these thousands of clouds each from the other, and each
about equally from the other? How can they be drawn asunder, yet not
allowed to part? Looped lace as it were, richest point--invisible
threads fastening embroidered cloud to cloud--the "plighted clouds" of
Milton,--creatures of the element--
"That in the colors of the rainbow live
And play in the plighted clouds."
Compare Geraldine dressing:--
"Puts on her silken vestments white,
And tricks her hair in lovely plight."
And Britomart's--
"Her well-plighted frock
She low let fall, that flowed from her lanck side
Down to her foot, with careless modesty."
And, secondly, what bends each of them into these flame-like curves,
tender and various, as motions of a bird, hither and thither? Perhaps
you may hardly see the curves well in the softly finished forms; here
they are plainer in rude outline, Fig. 80.[1]
[Illustration: FIG. 80.]
§ 7. What is it that throws them into these lines?
Eddies of wind?
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