Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
Resigning himself thus to his fate, Quintana seems to have learned
the philosophical secret of preserving his equanimity in all the
vicissitudes of life, to the enjoyment of a tranquil old age. The
privilege of attaining this is a favour to every one, to whom it is
granted; but its highest enjoyments must be consequent only on a life
of active usefulness, with a conscience void of offence. The man of
cultivated mind, who has been called upon to do or to suffer more
than others his fellows in the turmoils of the world, may then be
supposed to receive his greater reward in the remembrances of scenes,
happier perhaps in the retrospect than in the reality, which may have
given them even the semblance of a longer existence. As perspectives
appear lengthened, according to the number and variety of objects that
intervene to the view, so life itself may appear to have been longer
or shorter, according to the memory and character of events witnessed
in its course. Described as a person of athletic form, yet unbowed by
the burden of fourscore years, Quintana, as before observed, still
survives, to receive the honour justly due to him for his honourable
exertions through life, the remembrances of which may thus give him
more pleasurable enjoyments, than can be supposed to fall to the lot of
ordinary mortals.
As a poet, if a foreigner may be allowed to express an opinion, for
which he has no native authority to adduce, Quintana may be said to be
more eloquent than poetical. As Quintilian said of Lucan, both also
natives of Spain, “ut dicam quod sentio, magis oratoribus quam poetis
annumerandus.” Quintana’s eloquence consists in earnestness more than
in flights of fancy. His favourite subjects were the glories of his
country; and his patriotic odes, in which he endeavoured to incite his
countrymen to imitate the examples of their forefathers, have been
pronounced his best compositions. He has as a poet paid his tribute
of admiration to beauty and the arts; but his whole soul seems to be
poured forth when pathetically mourning over the dimmed glories of his
country, as when at the thought “of our miserable squadrons flying
before the British,” he turns to the Padillias and Guzmans of former
days, “when the Spaniard was master of half of Europe, and threw
himself upon unknown and immense seas to give a new world to men.”
Public-domain text, read in full here on John Shaqi.
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