Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
In summer time, at close of day,
When mid the light cloud’s fold,
The sun declines, encircling them
With scarlet and with gold,
That bright transparent heaven above,
With purple mists o’erspread,
Cut in a thousand varied hues,
By softest zephyrs led,
That glowing atmosphere, in which
One seems to breathe of fire,
How temper they the languid frame,
And soul divine inspire!
The view too of those baths, that gain
From all who know them praise,
And that proud edifice which Moors
And Goths combined to raise,
In some parts harsh, in some more light,
Here ruins, there repair’d,
The different dominations pass’d
Are thus by each declared;
With records, and remembrances
Of ages long pass’d by,
And of more modern years alike
To arrest the fantasy.
The lemon’s and the jasmine’s flowers,
While they the eyes enchant,
Embalm the circumambient air
With sweets they lavish grant.
The fountains’ murmurs, and afar
The city’s varied cries,
With those that from the river near,
Or Alameda rise,
From Triana, and from the bridge,
All lost, confused amain,
With sound of bells vibrating loud
In high Hiralda’s fane;--
A scene that never is forgot
Enchanted forms the whole,
The thoughts of which unceasing cause
To beat my heart and soul.
Many delicious nights, when yet
My now all-frozen breast
Beat warmly, have I seen those halls
By youthful footsteps press’d;
Fill’d with a chosen concourse gay
In country dance to meet,
Or light quadrille, while festive sounds
The orchestras repeat:
And from the gilded roofs rebound
The steps, the laugh perchance
And talk of happy pairs, by love
United in the dance;
With sound of music mix’d the while,
Confused and blended o’er,
As sent according echos forth
From the enamell’d floor.
Public-domain text, read in full here on John Shaqi.
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