Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
A Barbary carpet richly wove
Upon the floor was laid,
The gift or tribute which the Moor
Granada’s king had paid;
A silken curtain, bright with flowers,
And ribbons curious wrought,
With various eastern colours deck’d,
Which to our Spain had brought
Venetian galleys, as perchance
Her Doge’s gift of state,
Was thrown across the balcony,
The light to moderate.
In the recess in front, with woods
Well carved, and richly graced
With mother-o’-pearl inlayings,
Was an Oratory placed;
Where of the sovereign Virgin
The image stood devout,
The sculpture somewhat rude, but yet
Attractions not without;
Which with a plate of silver,
For ornament was crown’d,
Its rim reflecting amethysts,
And emeralds around.
A manuscript of holy prayers,
Which miniatures adorn,
Precious with gold and ivory
Upon its coverings borne,
Was seen there placed upon a stand,
Form’d of an angel’s wings,
The figure badly sculptured,
But with neat finishings.
And on the floor of gold brocade
A cushion one might see,
Which by its sunken pressure show’d
The marks of bended knee.
And on the pure white walls were hung
Bright arms along the space,
And interspersed were banners,
And trophies of the chase.
An ornamental table stood
In the middle of the floor,
On which a well-tuned lute was placed,
Though partly covered o’er;
A rich-cut board for game of draughts,
And a coffer by its side
Of silver filigree, and jars
With chosen flowers supplied.
The Lady near the balcony
Sat very pensively,
In a great gilded chair of state,
Whose back was form’d to be
A canopy, or cover o’er,
And in gay curvings down
Were lions, castles, and the whole
Surmounted with a crown.
Her dress a silken robe of green,
Which show’d a various tinge,
In twisted threads, with pearls and gold
The embroidery and fringe.
Her head-dress than the snow appear’d
Ev’n whiter to behold,
And covering o’er the fine clear lawn
Her long dark tresses roll’d.
Her face was heavenly, and her neck
Divine, but in their hue
Like wax, the colour which fear paints,
And long-known sorrow too.
Her eyes were like two beaming suns
Beneath their lashes tall,
Where shone two precious pearly drops
As ready down to fall.
She was a lily fair, whom death
Was rudely threatening seen,
For a corroding worm the heart
Was tearing deep within.
Now in her thin pale hands, convulsed
It seems with fear or doubt,
Her kerchief white, of border’d lace
And points, she twists about;
Or with absorb’d distracted mien
She agitates the air,
With fan, whose feathers Araby
Had sent, the choicest there.
Public-domain text, read in full here on John Shaqi.
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