Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
In December 1841, Espronceda was sent to the Hague as Secretary of
Legation, but the coldness of the climate affecting too severely his
enfeebled constitution, he was obliged, almost immediately, to return
to Spain. He had meanwhile been elected Deputy to the Cortes for
Almeria, and he attempted to take accordingly his share of public
duties. But his health and strength had been undermined by the life of
hazard, of privations and excesses he had undergone, and the journey to
the Hague in the depth of winter seemed to give the final shock to his
frame, from which it could not recover. On the 23rd of May, 1842, his
friends and admirers were thrown into unexpected grief by hearing that
he had died that morning, after what was termed a four days’ illness.
The immediate cause was said to have been some disorder affecting the
throat, and his sufferings have been described by an intimate friend
and schoolfellow, who was with him at the time, as very painful. The
loss to Spain and the whole literary world was as great as it was
irreparable; and so the people seemed to feel it, by the general
expression of regret over his fate, such as it seldom falls to the lot
of any one to excite.
The moralist might dilate on the evil courses which probably hastened
his death, and all must lament that a man of such extraordinary genius
should have sunk under them; but before we judge any one severely, we
should be certain of being able to form a right judgement. The utmost
remark, therefore, we permit ourselves to make, may be to consider his
history as a lesson to all under similar circumstances of life, that if
they will not take heed to a moral in others, they may become a warning
themselves. Every man’s character may be taken as a whole, in which his
good and evil qualities are often so blended together as to make them
inseparable. The excesses of youth are often “the flash and outbreak
of a fiery mind,” which shows itself in its true characters in other
respects, though often with the alloy of lower passions to lead them
to a fatal end. Thus Byron and Espronceda, two kindred geniuses in our
days, have sunk prematurely into the grave, most unhappily, when new
fields of glory seemed to be opened before them to retrieve the past
errors of life, and make it in future as honourable as they had already
rendered it renowned.
Public-domain text, read in full here on John Shaqi.
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