Antonio Alcalà Galiano, author also of the able article in the Foreign Quarterly Review on Jovellanos, afterwards mentioned. He was born at Cadiz, in 1789, the son of a distinguished officer in the Spanish navy, who was killed at Trafalgar. In his youth, Alcalà Galiano studied the English language so assiduously as to receive much benefit from his knowledge of it when he had to take refuge in London, on the various political changes that took place in Spain. He then wrote much for the Westminster and Foreign Quarterly Reviews, as well as other publications, and was subsequently named one of the Professors of Languages in the London University. Having returned to Spain, on the death of Ferdinand VII., he was appointed a Minister of State, with the Señor Isturitz, and has held, at various times, several high offices in the government. In the Cortes he was considered one of the most able orators of his time, having been put on a rivalry with Martinez de la Rosa and Argüelles. He has published a few poems, and contributed several valuable papers for the different learned societies of Madrid, besides having written much for the periodicals, according to the continental system for public men seeking to disseminate their opinions. His principal work as an author is a ‘History of Spain.’ Ferrer del Rio says of him, that “he writes Spanish with an English idiom, and though he puts his name to a history of Spain, it seems a translation from the language of Byron.” Few foreigners have ever obtained so complete a knowledge of the English language; in fact his writings in the several reviews might be pointed out as compositions which would do credit to our own best writers. As an instance of his knowledge of the state of literature in England, we may quote a few observations from an article bearing his name in the first number of the Madrid Review. He says, “The Bible and the Plays of Shakespeare, if they may be named together without profanation, are the two works which have most influence on the thoughts of the English;” adding, that “classical literature is there better cultivated than in France, or at least cultivated with more profound knowledge,” deducing the conclusion, “that the English drama is consequently radically different from the French.” 3. Page 11. “Bermudez, his biographer.”