Modern Prose And Poetry; For Secondary Schools: Edited With Notes, Study Helps, And Reading Lists
General
Modern Prose And Poetry; For Secondary Schools: Edited With Notes, Study Helps, And Reading Lists
American literature
=The Bridge=:--Choose a large bridge that you have seen. Where is it,
and what stream or ravine does it span? When was it built? Clearly
indicate the point of view of your description. If you change the point
of view, let the reader know of your doing so. Give a general idea of
the size of the bridge: You need not give measurements; try rather to
make the reader feel the size from the comparisons that you use.
Describe the banks at each end of the bridge, and the effect of the
water or the abyss between. How is the bridge supported? Try to make the
reader feel its solidity and safety. Is it clumsy or graceful? Why? Give
any interesting details in its appearance. What conveyances or persons
are passing over it? How does the bridge make you feel?
COLLATERAL READINGS
A Little Tour in France Henry James
A Small Boy and Others " "
Portraits of Places " "
Travels with a Donkey R.L. Stevenson
An Inland Voyage " "
Along French Byways Clifton Johnson
Seeing France with Uncle John Anne Warner
The Story of France Mary Macgregor
The Reds of the Midi Felix Gras
A Wanderer in Paris E.V. Lucas
An American in Europe (poem) Henry Van Dyke
Home Thoughts from Abroad Robert Browning
In and Out of Three Normandy Inns Anna Bowman Dodd
Cathedral Days " " "
From Ponkapog to Pesth T.B. Aldrich
Our Hundred Days in Europe O.W. Holmes
One Year Abroad Blanche Willis Howard
Well-worn Roads F.H. Smith
Gondola Days " "
Saunterings C.D. Warner
By Oak and Thorn Alice Brown
Fresh Fields John Burroughs
Our Old Home Nathaniel Hawthorne
Penelope's Progress Kate Douglas Wiggin
Penelope's Experiences " " "
A Cathedral Courtship " " "
Ten Days in Spain Kate Fields
Russian Rambles Isabel F. Hapgood
For biography and criticism of Mr. James, see: American Writers of
To-day, pp. 68-86, H.C. Vedder; American Prose Masters, pp. 337-400,
W.C. Brownell; and (for the teacher), Century, 84:108 (Portrait) and
87:150 (Portrait); Scribners, 48:670 (Portrait); Chautauquan, 64:146
(Portrait).
THE YOUNGEST SON OF HIS FATHER'S HOUSE
ANNA HEMPSTEAD BRANCH
The eldest son of his father's house,
His was the right to have and hold;
He took the chair before the hearth,
And he was master of all the gold.
The second son of his father's house,
He took the wheatfields broad and fair,
He took the meadows beside the brook,
And the white flocks that pastured there.
Public-domain text, read in full here on John Shaqi.
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