Modern shipbuilding and the men engaged in itPollock, David
History
Modern shipbuilding and the men engaged in it
Pollock, David
Shipbuilding -- Great Britain
Until about two years ago, the engineering section of Messrs
Thomson’s business was conducted at Clydebank Foundry, Finnieston,
Glasgow. It was then resolved, however, to centralise the
works, and thus save the great expense of fitting out vessels
away from the yard, as well as secure the increased facilities
offered in the management and controlling of large bodies of
workmen. This important undertaking has now been accomplished,
and the establishment, as now arranged, is equal in extent and
working capability to any other private shipbuilding concern.
The entire premises occupy about thirty-five acres of land, and
comprise building yard, tidal basin, yard workshops, and engine
and boiler works. When in full operation the establishment gives
employment to over 4,000 workmen. The yard possesses eight
building slips, laid out for the largest class of vessels, and
owing to their situation—facing the river Cart, which here joins
the Clyde—excellent facilities for the launching of vessels are
afforded.
Proceeding to describe the works more in detail, as in the case
of a personal visit, the first feature that may be noticed is
a handsome block of buildings which stands some distance from
the main entrance to the shipyard. These buildings comprise the
clerical, managerial, and naval architects’ offices; also a
spacious apartment in which are located splendidly-executed models,
and sections of the hulls, of the vessels which have been built
by the firm. Passing through the yard large quantities of the raw
material of the modern shipbuilder are observed on railway waggons,
and in sheds—including iron and steel plates, bar, T, H, Z, angle,
flat, channel, tubular, and other forms of wrought-iron. This
material is brought into the yard by railway, which forms a siding
of the North British system about a quarter of a mile distant.
Public-domain text, read in full here on John Shaqi.
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