Modern shipbuilding and the men engaged in itPollock, David
History
Modern shipbuilding and the men engaged in it
Pollock, David
Shipbuilding -- Great Britain
Many other investigators besides those already mentioned have
recently been working at the subject of stability, and a
considerable number have read papers, dealing with the extension and
simplification of stability calculations, before one or other of the
scientific societies concerned with naval architecture, most of the
methods put forward being well worthy of study.[17] To very many
shipbuilders, however, and to others besides them responsible for
the stability of ships, processes of arithmetical calculation—even
allowing for all the simplification which mathematical skill has
recently effected—appear still to be too intricate, or to absorb too
much time for their being entirely followed. As a simple means of
readily, although approximately, arriving at the results attained
more elaborately and reliably by calculation, attention has recently
been directed to an experimental process by which a complete curve
of stability may be constructed almost without the use of a single
figure! The method was first brought forward in 1873 by Capt. H. A.
Blom, chief constructor of the Norwegian Navy, formerly a student of
the South Kensington School of Naval Architecture, who described it
to the United Service Institution. The method has been employed by
shipbuilding firms on the Tyne and Clyde when a curve of stability
had to be produced in a very limited time, and when extreme accuracy
was not a desideratum. As practised by the firms in question, the
_modus operandi_ differs in some slight respects from that described
by Captain Blom, but the changes in no way affect the principles as
first laid down by him. The modern mode of procedure may be briefly
described:—
From the body plan of the ship, _i.e._, that portion of the draught
plan representing the vessel’s form by a series of equidistant
transverse sections—any convenient number of sections lip to the
load water-line are pricked upon and then cut out of a sheet of
drawing paper of uniform thickness. These sections are then gummed
together in their correct relative positions, care being taken
to spread the gum thinly and evenly. This paper model—greatly
foreshortened, of course—represents the immersed portion of the
ship (in other words, the displacement) when she is floating
upright. By suspending this model from two different points, and
taking the intersection of two vertical lines through the points of
suspension—or better still, by balancing it horizontally on a pin
and fixing the point when the model is in equilibrium—the centre
of gravity of the model, or in other words, the actual centre of
buoyancy is obtained.
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