At midnight, therefore, Moti Guj strode out of his pickets, for a
thought had come to him that Deesa might be lying drunk somewhere in
the dark forest with none to look after him. So all that night he
chased through the undergrowth, blowing and trumpeting and shaking
his ears. He went down to the river and blared across the shallows
where Deesa used to wash him, and there was no answer. He could not
find Deesa, but he disturbed all the other elephants in the lines,
and nearly frightened to death some gypsies in the woods.
At dawn Deesa returned to the plantation. He had been very drunk
indeed, and he expected to get into trouble for outstaying his
leave. He drew a long breath when he saw that the bungalow and the
plantation were still uninjured, for he knew something of Moti Guj’s
temper, and reported himself with many lies and salaams. Moti Guj
had gone to his pickets for breakfast. The night exercise had made
him hungry.
“Call up your beast,” said the planter, and Deesa shouted in the
mysterious elephant language, that some mahouts believe came from
China at the birth of the world, when elephants and not men were
masters. Moti Guj heard and came. Elephants do not gallop. They move
from places at varying rates of speed. If an elephant wished to
catch an express train he could not gallop, but he could catch the
train. So Moti Guj was at the planter’s door almost before Chihun
noticed that he had left his pickets. He fell into Deesa’s arms
trumpeting with joy, and the man and beast wept and slobbered over
each other, and handled each other from head to heel to see that no
harm had befallen.
“Now we will get to work,” said Deesa. “Lift me up, my son and my
joy.”
Moti Guj swung him up and the two went to the coffee-clearing to
look for difficult stumps.
The planter was too astonished to be very angry.
------------------------------------------------------------------------
GULLIVER THE GREAT
By WALTER A. DYER
IT was a mild evening in early spring, and the magnolias were in
bloom. We motored around the park, turned up a side street, and
finally came to a throbbing standstill before the Churchwarden Club.
There was nothing about its exterior to indicate that it was a
clubhouse at all, but within there was an indefinable atmosphere of
early Victorian comfort. There was something about it that suggested
Mr. Pickwick. Old prints of horses and ships and battles hung upon
the walls, and the oak was dark and old. There seemed to be no
decorative scheme or keynote, and yet the atmosphere was utterly
distinctive. It was my first visit to the Churchwarden Club, of
which my quaint, old-fashioned Uncle Ford had long been a member,
and I was charmed.
Public-domain text, read in full here on John Shaqi.
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