Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
A strange girl, to be sure. Without hesitating a moment and before
anyone said anything, she came into the middle of the room, stood still
and looked about her with a reposeful movement of the head, her hands in
the pockets of her cape, her whole slender figure wonderfully composed
and firm, her motion somewhat like a figure in a dream, when one all the
while thinks: just so, that’s what she ought to do,--and yet feels with
mysterious uneasiness that every gesture has meaning, every step hides
the significance of coming events.
While she stood there close to the hanging lamp, which threw a sharp,
dark shadow across her face, Leo explained hurriedly: “I met her by the
street-car line. She was walking and staring up at the snow just as you
see her with her head thrown back, walking slowly in all the cold. I saw
she was pretty with a well-formed head and wanted to find out who she
was. She wasn’t at all afraid to come along.”
“Take off your hat,” he added eagerly; “I haven’t had a good look at you
yet.”
She took off her hat, went toward the door, and laid it with her cape
on a chair, always with the same remarkable composure of movement. Then
she came forward to the light again, and now we could see her face
clearly.
It was pale and narrow, but not small in proportion to her figure. The
chin was strong, projecting, especially as she held her head very high,
and her profile ran into it prettily from the rounded cranium. The nose
was straight, the lips straight and pale, the contour of the cheek
uncommonly severe and beautiful, the eyebrows a little sunk towards the
middle; and the eyes, partly shut against the light, looked steadily and
calmly out from under short, dark lashes. Her hair, too, was dark. It
was hard to tell the color of the eyes, which seemed to shift from the
suggestion of gray that violets have at twilight to the glimmer of the
darkest lake. Also their size must have been more variable than usual,
for according to the thought that burned in them they widened with
distended pupils, or closed around the steel blades of her glance;--the
muscles around them were indicated under the skin with uncommon
sharpness.
Her figure was slim and childish, that of a city girl of fifteen; the
neck slender and supple. Every expression of the face was childish, too,
but her general appearance bore the stamp of firmness, of set
character, which comes from living life all the way through.
She looked at us without letting her glance rest on anyone, looked
beyond us at the studies on the wall, pausing a little longer there,
till at last her gaze met the yellow dials of the clock in the church
tower as it stared in through the dark atmosphere framed by the window,
and her face caught at it in silent recognition. She sat down a little
to one side of us with her thin wrists crossed, her eyes still,
reposeful and dark.
Public-domain text, read in full here on John Shaqi.
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