Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
“And how have you found our eyes?”
“About like other peoples’. There is none of you who can _see_.”
“How do you mean?”
“I can’t say any more, but there is no one that sees, really sees
straight through you.”
“Hm! Maybe not. Have you met any such person?”
“No, never, but I keep on searching.”
“And if you should see such a person, what would you do?”
“Just wait, wait for the tide.”
“The tide you listen for at night?”
“Yes, for then it will come soon.”
“Finish me now,” she urged with a look at the sketchers. “Get done with
your drawings.” And she sat as before.
But no one could draw in his usual style, no one was satisfied with his
beginning. All were seeking for something, expressions changed, flaming
with eagerness or drooping with fatigue. It seemed as if their thoughts
tried to catch something fluttering, shifting, something that
continually fled them.
Under these looks that were concentrated on her, together with the sharp
yellow light, she grew dazzled, hypnotized, her mouth became tired, her
eyes closed experimentally a couple of times, and then the lashes
remained lowered and she went suddenly to sleep like a child, sinking
back on the arm of the chair.
All had ceased drawing and had leaned forward with the same thought.
What was she, this remarkable girl? Could all this be true?
Here she had come out of the dark, had come silently as the dark itself,
enigmatical, disturbing as a dream, impossible to comprehend, impossible
to lay hold of. Was she not just a vision,--not sprung from us, oh, no,
but a vision of the slumbering darkness, the uncertain possibility, the
great new chance that might come? But her breathing was audible, light
and easy; her lean hands had the marks of the sempstress, her clothes
were threadbare--an actual girl to be sure, with blood such as ours, a
developing soul! What would ever become of her, what would become of
her?
As if the question had been put in an audible voice, Jacques took it up,
the silent Jacques who was wont to make an epigram out of every
conviction and who filed every doubt to the point of a needle. But he
now got up to speak, advancing toward the girl with his angular motions
like those of a clasp-knife and his pointed head leaning forward.
“What will become of her? What will become of her?” he said; “that’s
easy to guess.”
He bent down toward her, but so as not to overshadow her; his hand
followed his words, but with light, caressing movements, as if he were
touching an invalid. But on the floor his long shadow stood bowed
against hers, and his gestures became pointed, sharp as thrusts,
merciless, threatening to the slumberer in black.
Public-domain text, read in full here on John Shaqi.
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