Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
He looked about him at us others who sat bending forward, gazing with
hypnotized looks at the white gleaming countenance of the girl. At his
last words we started half up; it was as if we waited that some one
should come, that some one should grip us by the hair and hurl us
forward, should lift us to where space was bright around us. Something
should come to birth in us, sharp as a steel blade, unbending,
unsullied, the blue sword of our will and life should be created among
us, true life with warm soil and the sun that impels to growth. In the
heat of the room we felt it already glowing in us by anticipation,
cheeks and foreheads were red, a warm current of blood set in, there
were white sparks in the eyes, and a shiver trembled along the spine.
Thereupon the girl awoke, as if roused by the clamor of all these
thoughts as they beat their wings and struck together. First her eyes
stared in fright, and then she laughed.
We all sunk back again.
“I didn’t know where I was,” she said.
“Oh, you weren’t afraid of us, were you?” inquired Jacques. “You saw
that there was no one dangerous here.”
“Oh, no, I surely wasn’t afraid.” She laughed more merrily still. “No,
there’s no one dangerous here. But I must have been asleep a long while.
I must go now.”
We all offered to go with her, but she looked straight at us.
“Why?” she asked, “is the outside door locked?”
“No, not yet. But the street, the dark, the snow!”
“Oh, only that! But I went out alone. No, no, nobody needs to go along
with me. I know my way.”
Nobody thought of opposing her, her voice was so remarkably firm; almost
scornful, we thought.
We lighted her to the door and saw her small feet step quickly on the
yellow lamplight, which grew paler along the tile floor and was broken
by the light on the stairway.
When she was half out of sight we called for the last time, “You’ll come
again, won’t you?”
She turned her head. From under the ugly old hat her eyes looked out at
us, deep and sombre.
“No,” she said, “I shan’t come again. Why should I?”
She was gone, and we all rushed forward to the window, opened it and
leaned out, stretching ourselves over the sill. She had not got down
yet. Before us lay the black bulks of the houses, defiantly heavy and
motionless to our gaze. Here and there was a faint yellow gleam from a
street lamp; one could see some large, loose flakes glide through it.
The air was gray, swarmingly alive with darkness and a little farther
out across the roofs the church tower stood with its shining dials
against the black horizon.
Then she came out of the house door; we could hear her steps resound up
to where we were through the chilly air. We followed the little black,
indistinct figure out to the corner, where the lamplight took hold of it
and threw it out into tawny, pale relief. With that she was gone,
vanished into the blackness, into the snow and night and threatening
uncertainty from which she had come.
Public-domain text, read in full here on John Shaqi.
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