Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
When he was not obeyed, he threw back his head in annoyance, and he now
spoke in accents of harsh command: “Why don’t you obey? Do you think
there is food here? There’s not so much as a pinch of salt left in the
house. You must be got away, you understand. If it goes ill with you, if
a plunderer gets you on the way, I can only say this: clasp your arms
about his neck and follow with him on his horse’s back wherever it
carries you. Many a time in the rough-and-tumble of war have I seen such
a love, and then I have slung the soldier’s cloak over my priest’s frock
and waved my hat for a lucky end to the song. Don’t you hear, lass? When
your late father, who was a drinker--if I must tell the truth--was my
stableboy and pulled me out of a hole in the ice once, I promised for
the future to provide for him and his child. Besides, he was Swedish
born as I was. Well, haven’t I always been a fatherly master to you, or
what has Her Grace to object? Have her wits deserted her, eh?”
Something now began to move in the pitch-black recess. An elbow struck
against the wall, there was a rustling and scraping, and with that Lina
Andersdotter stepped out in nothing but her chemise, bare legs, and a
torn red jacket without sleeves but with a whole back to it, over which
hung the braid of her brown hair.
The light of the fire fell in through the window. Squatted together she
held her chemise between her knees, but her fresh, downward-bent face
with broad, open features was as merry as if she had just stepped out of
her settle-bed on a bright winter morning in the light of the dawn.
The blood ran impetuously enough through the veins of the white-haired
chaplain, but in that moment he was but master and father.
“I did not know that in my simple house folk had learned such a
ceremonious feeling of delicacy,” said he, and gave her a friendly pat
on the bare shoulders.
She looked up.
“No,” she said, “it’s only because I’m so wretchedly cold.”
“Ah, well, that’s natural. That’s the way I like people to talk in my
house. But I have no garments to give you. My own hang on me in tatters.
The house may burn at any time. I myself can maybe sneak out on my way
unaccosted, and I have a Riga riksdollar in my pocket. Who asks about a
ragged old man? It’s another affair with you, Lina. I know these wild
fellows. I know but one way to get you off, but I myself shrink from
telling it. Naturally, you are afraid.”
“Afraid I’m not. It will go with me as it may. To be sure, I am no
better than the others. Only I’m perishing of cold.”
“Come here to the door then, but don’t be frightened. Do you see out
there in the doorway the rascals have set a little wooden casket. It
cannot be very heavy, but perhaps you will have room in it. If you dare
lay yourself in the casket, perhaps I can smuggle you out of the town.”
“That I surely dare.”
Public-domain text, read in full here on John Shaqi.
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