Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
Feodosova stood like a sleep-walker and stretched her hands toward me.
What did it matter that she had laughed at me. I should soon have
forgotten that and she would soon not have seen my wooden leg, for I
should have cared for her and worked for her and prayed with her and
made her home bright and tranquil. I should have lifted her up to my
bosom as a child and asked her if an honest and faithful heart could not
make another heart throb. Mayhap she already bore the answer on her
tongue, for slowly she beamed up and became flushed, and her whole face
became transfigured. Far away in a corner house on Priest Street in
Stockholm a lonely old woman sat with her sermon-book and listened and
wondered whether a letter would not be left for her through the door,
whether no disabled man would step in with a greeting from the remote
wilderness, whether I never should come or whether I lay already dead
and buried. I had prayed for her every night. I had thought of her in
the tumult in the midst of stretchers and wailing wounded. But at that
moment I thought of her no longer; I saw and heard nothing else but
Feodosova. And yet I was angry and strove against something heavy which
weighed upon my heart and which I did not understand, but was only
slowly and gradually able to make out.
I bent to Feodosova to kiss her hand, but she whispered, “The czar’s
hand, the czar’s hand.”
Then I stretched myself toward the czar and kissed his hand.
“My faith,” I whispered equally softly, “and my royal lord I may not
desert.”
The czar’s cheek still twitched, and the dwarfs in their terror pulled
forth the Zaporogean from his nook to make the czar laugh at his
ridiculous figure. But then the czar’s arms began to move convulsively.
His face grew gray and he trembled in one of his dreaded fits. He went
toward the Zaporogean and struck him in the face with clenched fist so
that the blood streamed from his nose and mouth, and with such a hoarse
and altered voice that it could no longer be recognized he hissed: “I
have seen through you, liar, from the moment you came into the room. You
are a Zaporogean, a renegade, who have hidden yourself in Swedish
clothes.--To the wheel with him, to the wheel!”
All, even the drunken men, began to tremble and feel toward the doors,
and in his terror one of the Boyars whispered: “Bring forward the woman!
Shove her forward! As soon as he gets to see pretty faces and woman’s
limbs, he grows quiet.”
They seized her, her bodice was cut over the bosom, and, softly wailing,
she was supported forward step by step to the czar.
It grew black around me, and I staggered backward out of the room. I
remained standing on the street under the stars and I heard the clamor
grow muffled and the dwarfs began to sing.
Public-domain text, read in full here on John Shaqi.
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