Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
But the falcon singled out at the start one of the strongest, one of
those that flew immediately aloft, because it loved to prove its
strength and to feel sharp, light air under its wings, and it rose as
fast and straight as if circling around a sunbeam. Soon it was
uppermost; smaller than a sparrow it looked, but something in the poise
of the wings, in the gathered strength of the body, made one divine the
sparkling savagery of its eye, its outspread talons. Of a sudden it
fell, heavy as steel, on the defenseless upturned neck of the quarry,
and they dropped like a single stone, hardly once eddying aside by a
wing’s breadth. Then Renaud ran and swam and waded so as to arrive
before the heron, which had been stunned by the stroke, could gather
itself together and in the wildness of its desperation make use of its
pointed bill. The falcon gave it the death blow sharply and swiftly,
turning its great eyes, already tranquil, on its master, for it did not
care to soil its feathers with blood, and waiting to have the warm heart
given to it.
Afterwards it did not fly any more that day; when Renaud cast it and ran
ahead with a shout, it only took a couple of wingstrokes and lighted
again on the lad’s shoulder close to his laughing face with proud
composure. It seemed to despise all play and Renaud soon made an end,
his expression taking on the far-gazing seriousness of the falcon. He
grew more fond of it than he had ever been of anything; it seemed to him
that it was his own soul, his longing, with its broad wings and its
glance confident of victory. But there was suffering in his love, the
dismal premonition of a misfortune. Sometimes he was afraid that the
bird would fly away from him in a fit of indifference; would vanish in
a mocking sound of bells, and that would be his death, such an empty
existence. Or it seemed to him that the falcon was honor, gleaming with
sunlight against the blue, which rested itself on his shoulder for new
exploits; and in the midst of his joy he was oppressed with his own
insignificance, so that he hardly dared to look at it. There was grief
at his heart that the bird would never share his delight, that its
glance would never melt warmly into his, and he fled to the realm of
dreams.
He laid himself down in the midst of the moor with the red heather under
his head, and the clouds glided past like human destiny, heavy and
light, gathered within a firm outline or scattered on high, with the
winds’ invisible hand ever at their shoulder, while the bushes bent
their rustling golden branches and Renaud told stories to the falcon.
Public-domain text, read in full here on John Shaqi.
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