“If you are a good whist-player, monsieur,” said Gobenheim, flourishing
five cards held like a fan, “I must say I have never met a man as
accomplished as you.”
The remark raised a laugh, for it was the translation of everybody’s
thought.
“I play it sufficiently well to live in the provinces for the rest of my
days,” replied Canalis. “That, I think, is enough, and more than enough
literature and conversation for whist-players,” he added, throwing the
volume impatiently on a table.
This little incident serves to show what dangers environ a drawing-room
hero when he steps, like Canalis, out of his sphere; he is like the
favorite actor of a second-rate audience, whose talent is lost when he
leaves his own boards and steps upon those of an upper-class theatre.
CHAPTER XXI. MODESTE PLAYS HER PART
The game opened with the baron and the duke, Gobenheim and Latournelle
as partners. Modeste took a seat near the poet, to Ernest’s deep
disappointment; he watched the face of the wayward girl, and marked the
progress of the fascination which Canalis exerted over her. La
Briere had not the gift of seduction which Melchior possessed. Nature
frequently denies it to true hearts, who are, as a rule, timid. This
gift demands fearlessness, an alacrity of ways and means that might be
called the trapeze of the mind; a little mimicry goes with it; in fact
there is always, morally speaking, something of the comedian in a poet.
There is a vast difference between expressing sentiments we do not feel,
though we may imagine all their variations, and feigning to feel them
when bidding for success on the theatre of private life. And yet, though
the necessary hypocrisy of a man of the world may have gangrened a poet,
he ends by carrying the faculties of his talent into the expression of
any required sentiment, just as a great man doomed to solitude ends by
infusing his heart into his mind.
“He is after the millions,” thought La Briere, sadly; “and he can play
passion so well that Modeste will believe him.”
Instead of endeavoring to appear more amiable and wittier than his
rival, Ernest imitated the Duc d’Herouville, and was gloomy, anxious,
and watchful; but whereas the courier studied the freaks of the young
heiress, Ernest simply fell a prey to the pains of dark and concentrated
jealousy. He had not yet been able to obtain a glance from his idol.
After a while he left the room with Butscha.
“It is all over!” he said; “she is caught by him; I am more disagreeable
to her, and moreover, she is right. Canalis is charming; there’s
intellect in his silence, passion in his eyes, poetry in his
rhodomontades.”
“Is he an honest man?” asked Butscha.
“Oh, yes,” replied La Briere. “He is loyal and chivalrous, and capable
of getting rid, under Modeste’s influence, of those affectations which
Madame de Chaulieu has taught him.”
“You are a fine fellow,” said the hunchback; “but is he capable of
loving,--will he love her?”
Public-domain text, read in full here on John Shaqi.
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