Canalis shrugged his shoulders significantly. “And,” continued Modeste, taking no notice of his gesture, “I had tied into one corner of it the key of a desk which contains the fragment of an important letter; have the kindness, Monsieur Melchior, to get it for me.” Between an angel and a tiger equally enraged Canalis, who had turned livid, no longer hesitated,--the tiger seemed to him the least dangerous of the two; and he was about to do as he was told, and commit himself irretrievably, when La Briere appeared at the door of the salon, seeming to his anguished mind like the archangel Gabriel tumbling from heaven. “Ernest, here, Mademoiselle de La Bastie wants you,” said the poet, hastily returning to his chair by the embroidery frame. Ernest rushed to Modeste without bowing to any one; he saw only her, took his commission with undisguised joy, and darted from the room, with the secret approbation of every woman present. “What an occupation for a poet!” said Modeste to Helene d’Herouville, glancing toward the embroidery at which the duchess was now working savagely. “If you speak to her, if you ever look at her, all is over between us,” said the duchess to the poet in a low voice, not at all satisfied with the very doubtful termination which Ernest’s arrival had put to the scene; “and remember, if I am not present, I leave behind me eyes that will watch you.” So saying, the duchess, a woman of medium height, but a little too stout, like all women over fifty who retain their beauty, rose and walked toward the group which surrounded Diane de Maufrigneuse, stepping daintily on little feet that were as slender and nervous as a deer’s. Beneath her plumpness could be seen the exquisite delicacy of such women, which comes from the vigor of their nervous systems controlling and vitalizing the development of flesh. There is no other way to explain the lightness of her step, and the incomparable nobility of her bearing. None but the women whose quarterings begin with Noah know, as Eleonore did, how to be majestic in spite of a buxom tendency. A philosopher might have pitied Philoxene, while admiring the graceful lines of the bust and the minute care bestowed upon a morning dress, which was worn with the elegance of a queen and the easy grace of a young girl. Her abundant hair, still undyed, was simply wound about her head in plaits; she bared her snowy throat and shoulders, exquisitely modelled, and her celebrated hand and arm, with pardonable pride. Modeste, together with all other antagonists of the duchess, recognized in her a woman of whom they were forced to say, “She eclipses us.” In fact, Eleonore was one of the “grandes dames” now so rare. To endeavor to explain what august quality there was in the carriage of the head, what refinement and delicacy in the curve of the throat, what harmony in her movements, and nobility in her bearing, what grandeur in the perfect accord of details with the whole being, and in the arts, now a second