Mohawks: A Novel. Volume 1 of 3Braddon, M. E. (Mary Elizabeth)
General
Mohawks: A Novel. Volume 1 of 3
Braddon, M. E. (Mary Elizabeth)
Fiction
But if the outer appearance of the mansion was noble and imposing, its
interior decoration made it one of the richest and most wonderful houses
in London. In all his journeyings about the face of the earth Mr.
Topsparkle had amused himself by the collection of curios; and as his
purse was long and his taste universal, he had gathered together the
most heterogeneous assemblage of the beautiful and the ugly that had
ever been amassed by one man or exhibited under one roof.
The spacious hall which Lavendale entered at Lady Judith's invitation
was hung with Venetian tapestry from the palace of a fourteenth-century
Doge, and almost black with age. But as a relief against that sombre
background there hung a unique collection of Moorish and Indian arms,
while the foreground of the room was enlivened with everything
frivolous and elegant in the way of china monsters, Meissen porcelain,
carved ivory, French fans and bonbon-boxes, filigree-silver caskets,
bronze statuettes, gold snuffboxes, and Indian gods, all scattered, as
it were, haphazard upon a variety of small tables of more or less
eccentric designs. On the left of this hall opened a suite of
drawing-rooms which served also as one continuous picture-gallery, and
which contained a collection of French and Italian masters acknowledged
to be one of the best in England. On the right was the dining-room--an
immense apartment, which better deserved the name of banqueting-hall.
Here everything was of carved oak, ponderous, gigantic, and strictly
Dutch, and here the pictures were by Dutch and Flemish painters. A
replica of Rubens' "Descent from the Cross" hung over the sideboard, and
the rest of the wall was a mosaic of cabinet pictures, every one a gem.
The hall was lighted with clusters of wax candles in bronze candelabra
dotted here and there about the tables, and making only islets of light
in the gloom of those dark walls, against which Moorish breast-plates
and Indian targets flashed and gleamed with faintly phosphorescent
brightness. But at one end of the hall there was an enormous wood fire,
which made a rosy atmosphere all round it; and it was in this roseate
glow that Judith seated herself, sinking into a capacious armchair
covered with stamped and gilt leather: a chair in which it was supposed
Count Egmont had sat when he was tried for his life in the Town Hall at
Brussels.
She flung off cloak and mask, and appeared in all the brilliancy of gold
brocade and diamonds, a beautiful dazzling apparition which seemed
hardly human in that fairy-like fire-glow. She touched a little bell,
and her lacqueys began to arrange a table for chocolate; and before it
could be brought three of her lady friends came trooping in, also
cloaked and masked, with two gentlemen in attendance upon them.
Public-domain text, read in full here on John Shaqi.
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