Mohawks: A Novel. Volume 1 of 3Braddon, M. E. (Mary Elizabeth)
General
Mohawks: A Novel. Volume 1 of 3
Braddon, M. E. (Mary Elizabeth)
Fiction
Golden Square was then one of the newest and handsomest squares in
London. It had been built towards the close of the last reign, and it
was here that St. John in his brief day of power had furnished and
decorated a splendid mansion, from which disgrace drove him across the
Channel, a fugitive in an ignominious disguise, six months after the
late Queen's death, to return on sufferance only the other day, after
long years of exile, with honours shorn and mind embittered; to return
as clever, as unscrupulous, and as mischievous in his impotent maturity
as ever he had been in his active and brilliant youth.
The chocolate-house was full of company when the two gentlemen entered.
Although London was supposed to be empty at this time of the year, there
was always a section of society which preferred the town to the
country--wits, journalists, actors, garreteers, reprobates of all kinds,
to whom rusticity was revolting, and the song of the nightingale an
intolerable monotony. The King's Theatre was closed for the dull season,
but there had been a company of French players at the new theatre on the
opposite side of the Haymarket, and these had been the occasion of a
good deal of talk, and some ill-feeling among the more bigoted British
playgoers; for sturdy John Bull bore almost as deep a grudge against the
French comedians as against Heidegger's Italian singers, who were paid
better than bishops or Cabinet Ministers.
The company was curiously mixed on this particular evening. At one table
sat a little group of fashionable gentlemen, including a brace of peers
and a baronet; at another a knot of pamphleteers, in which Mr. Philter
was conspicuous by the loudness of his voice and the arrogance of his
opinions.
"A new poem by the Poet Pug," he cried, in answer to a grave-looking
gentleman opposite him; "a satirical epic better than anything he ever
writ before, say you, sir? Whoever told you of such a work was fooling
you. Why, the man's vein was exhausted a year ago. His tiny talent
reached its apogee in 'The Rape of the Lock.' And to talk of a
satirical epic from that effete little hunchback, whose meretricious
Muse was at best but a jackdaw stalking in borrowed plumes, a mere
tricky adapter of Horace and Boileau, who by the aid of a little Latin,
less French, and a great deal of audacity, contrived to take the town!"
"Nay, 'twas not so much by his verse as by the magnitude of his libels
and the pettiness of his amours that our Alexander the Little contrived
to conquer notoriety," said Philter's umbra, fat little Jemmy Ludderly,
who was supposed to live upon tripe and cow-heel at the cheap
eating-houses in Clare or Newport Market, except when the swaggering
Philter treated him at the West End.
"You are not an admirer of Mr. Pope, sir," remarked the grave gentleman.
"No, sir. I knew his master, Dryden. I have sat at Wills's coffee-house
many a night with glorious John."
Public-domain text, read in full here on John Shaqi.
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