“These few words tell you much, do they not, Surry? You no doubt begin to understand, now, when I have scarcely begun the real narrative, what is going to be the character of the drama. Were I a romance writer, I should call your attention to the fact that I have introduced my characters, described their appearance, and given you an inkling of the series of events which are about to be unrolled before you. A young man of twenty is commended to your attention; a youth living in a great mansion; lord of himself, but tired of exercising that authority; of violent passions, but without an object; and at that very moment, presto! appeared a lovely girl, with dark eyes, rosy lips; whom the youth encounters and rescues under most romantic circumstances! “Well, the ‘lord of himself’ acted in real life as he would have done in a novel. In other words, my dear Surry, I proceeded straightway to fall violently in love with _Miss Mortimer_; and it is needless to say that on the next day my horse might have been seen standing at the rack of the parsonage. I had gone, you see, as politeness required, to ask how the young lady felt after her accident. “She was leaning back in an arm-chair, reading a ‘good book,’ and looked charming. The accident seemed to have greatly shocked the delicate frame of the young creature, but when I entered, she held out her hand, greeting me with a fascinating smile. Mademoiselle was imitated by Monsieur. I mean Mr. Mortimer. I did not fancy the countenance of that gentleman much. It was dark and forbidden, but his manners were those of a person acquainted with good society; he thanked me ‘with effusion,’ as the French say, for my timely assistance on the night before; and then he strolled forth with the good parson to look at the garden, leaving me _tete-à-tete_ with his sister.