Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Historical fiction
Always to the last it was the little white hand in the blue pane which
most fascinated the boy. His wandering fancy would lose itself among
the cluster of leaves, as in an antique forest; would find in the
glowing fruit a very garden of Hesperus, sweet with nightingales and
the warm scent of flowers; would endow with a hundred characters the
faces peering from that arras of bright hues: but it was to the hand
he for ever returned, its beauty, its severed mystery. “I should
dearly like to learn to whom it belonged,” he would say. “But this I
know very well--if I could only reach it, it would help me up and
away. It is the boy Christ’s, I think.”
It was on a dark midsummer morning, chill and stormy, that the end
came. There had been signs, and in their hearts they were prepared.
The father sat by his child’s pillow, holding one of the frail hands
in his, the woman, dry-eyed and silent, busied herself noiselessly
among the shadows; near the foot of the bed sat the musician, his harp
before him, touching little more than a melodious murmur from its
strings. He faced the casement, which, because of the wind, had been
close shut.
Perhaps it was the drugged stillness of the room, the spell wrought
upon his brain by the soft “woven paces” of the chords his fingers
trod; perhaps he really dreamt; but this is what seemed to happen
before his eyes. He was gazing, unconscious that he was gazing, on the
window, when he saw the shadow of a dove moving on the sill outside.
It dipped and strutted, curtseying back and forth, as if restless or
impatient; and as it hurried, now this way now that, of a sudden the
noise of the wind ceased utterly, and a flood of sunlight broke upon
the window. And in that same moment the player noticed a little white
hand at the latch, and the casement swung noiselessly open. There was
a sigh as of wings--within, without--and his fingers stopped on a
broken chord. And as he stared, dazzled, incredulous, he heard a quick
rustle behind him, and a startled cry: “My God! He’s gone!”
He rose, he turned, half stupefied, and saw the father on his feet,
bending with an agonized expression over the face on the pillow. It
was quite still; a ray of sunlight touched it; a smile of the most
rapturous peace was on its lips. In a spasm of emotion he caught the
poor man’s hand in one of his, and with the other pointed mutely to
the open window. The physician, giving vent to his tears, leaned
himself upon his shoulder.
“’Twas thy music,” he said, “broke his prison and freed his soul.”
“’Twas thy unselfish love,” said Bannister, “freed the music.”
The woman, her stern face all softened and agitated, went to close the
casement.
“Nay, dame,” said the father--“let be; he cannot take cold now. To
think he is seeing the blue sky and the white clouds for the first
time!”
Public-domain text, read in full here on John Shaqi.
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