Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Historical fiction
He waited, in a serene confidence. Lady Chesterfield looked at her
brother.
“What is it, Richard?”
His lordship giggled, “hem’d,” pulled at his cravat, and spoke.
“Nothing in the world, thithter Kit.”
“O!” she said, “nothing is easily granted. I give you the case, your
Highness.”
“He rates his own genius too lightly,” cried the Duke. “I see that,
for the sake of his modesty, I must reverse the parts. Take me for
advocate, then, and hear my plea. It is that, saving one factor, your
brother is the most accomplished guitarist at Court.”
“O, fie, your Highneth!” said Arran, squirming in every limb. “Think
of Corbetti.”
“A master, I grant,” said the Duke, “but with the faults incident to
professionalism. A perfect executant, art hath yet despoiled him of
nature. For pure sympathy, give me your born musician before your
trained.”
Again Arran squirmed. “O, your Highneth, your Highneth!”
The Duke turned to Kate.
“Do you not love your brother’s playing?”
“Indeed,” answered the girl, perplexed, “Richard plays well.”
“Well?” he echoed, protesting. “Have you heard him in the new
saraband?” She shook her head. “Ah!” he said: “not Corbetti himself
could so interpret the loveliness of his own composition. I speak as
one who knows. My lord’s performance, to eschew superlatives, was
divine. Yet there was a flaw. The perfect master lacked the perfect
instrument. To attain the latter, or at least more nearly approximate
it, only one resource offered. Your ladyship, as he informed me, was
owner of the finest guitar in all England. To hear him on that guitar
became then a necessity with me--a fever, a passion. It was to entreat
that opportunity that I ventured this descent upon your ladyship’s
privacy.”
She heard; she opened her eyes in ingenuous wonder. Before she could
consider the words, they were on her lips.
“Is that all?”
“Nay, not all,” he answered softly--“not all. But that _you_ might
hear and feel.”
Involuntarily she shrank away a little.
“Richard knew,” she said, “that he could always have my guitar for the
asking.”
“Is that so?” said his Highness. “But he did not tell me--perchance
because he would have his sister learn the estimate in which he is
held by others, to show his power to move me in your presence. Ah!” he
waved a playful hand--a very white and shapely one: “relations are
notoriously grudging critics of their own.”
Still she struggled faintly.
“This is a poor room for resonance, my lord Duke. The audience-chamber
would have been better chosen.”
“Nay,” he said; “are we not private here?”
“Private, Sir?”
“Is not privacy the very essence of all sweet sounds and thoughts? To
risk interruption is to risk the jarring of their lovely sequence. No,
we are happiest where we are, apart and secluded. The loneliest bower
is that where the bird sings his song to an end.”
She rose hastily, and with an effort to control her agitation.
“I will go and fetch it,” she said. “It is not here.”
He sought to detain her.
Public-domain text, read in full here on John Shaqi.
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