Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Historical fiction
“Does not your brother know the place?”
Arran interposed. Some vague uneasiness, perhaps, was making itself
felt in the shallow brain of the nincompoop.
“No, by my thoul, your Highneth,” he said, “nor underthtand if she
told me.”
Kate hurried to the door. As she did so, a feminine form outside
whisked into the near shelter of some hangings. Then, foreseeing
certain detection if she remained where she was, waited until the
issuing figure had vanished down a passage, when she herself slipped
away incontinent in another direction.
The Duke in the meanwhile sat frowning and silent, half suspecting a
ruse on the lady’s part to escape him. But in that he did the Countess
too much or too little justice. For whatever reason--of honour or
perversity; you may take your choice--Kate acquitted herself
faithfully of her errand, and came back with the guitar; whereat the
royal brow cleared wonderfully.
And Arran played the saraband--this time to perfection, exclaimed his
Highness. Sweet melody, sweet touch, and sweetest atmosphere--it had
been all a banquet of delight, served, as it were, amidst the
tenderest surroundings, in a self-contained corner of Eden, by the
most paradisical of chefs. The Duke was transported; he was really
transported, though it is true some ecstasies stop short of heaven.
There are sirens in Campania to see to that.
And Kate was also moved; she could not well help but be. Her heart was
in too emotional a state to be safe proof against such soft besieging.
When the Duke leaned towards her, she did not stir, but sat with eyes
downcast, her bosom plainly turbulent.
“Was I not right,” he said, “and could any gain in resonance have
improved on this faultless unison of parts? Perfection must know
bounds, even like a framed picture, or the soul cannot compass it. To
have enlarged these but in one direction would have been to sacrifice
the proportions of the whole--the harmonious concord of place, and
sound, and tenderest feeling. Give me this bower, lady, for your
rounded madrigal, wherein sweetest music lends itself with love and
beauty to weave a finished pattern of delight. My lord, grant me the
instrument a moment.”
He took the guitar, somewhat peremptorily, from the Earl’s hesitating
hands; but he was in no mood, at this pass, to temporize or finesse.
And, having received it, he went plucking softly among the strings,
gathering up sweet chords and sobbing accidentals, as it were flowers,
to present in a nosegay to the heart of his moved hearer. There was a
knowledge, a sure emotionalism, in his touch which went far to
discount his earlier pretence of inadequacy; and Arran in his weak
brain may have felt somehow conscious of the fact, and of a suspicion
that he had been subtly beguiled into lending his own vanity for a
catspaw to the other’s schemes. But he had no wit to mend the
situation he had encouraged; and so he only stood silent, with his
mouth open--sowing gape-seed, as they say in Sussex.
Public-domain text, read in full here on John Shaqi.
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