"And"--half removing the barring fingers--"I am the dearest, sweetest,
best Molly to be found anywhere?"
"Oh, darling! don't you know I think so?" says Luttrell, with
passionate fondness.
"And you will never forgive yourself for making me so unhappy?"
"Never."
"Very well,"--taking away her hand, with a contented sigh,--"now you
may kiss me."
So their quarrel ends, as all her quarrels do, by every one being in
the wrong except herself. It is their first bad quarrel; and although
we are told "the falling out of faithful friends is but the renewal of
love," still, believe me, each angry word creates a gap in the chain of
love,--a gap that widens and ever widens more and more, until at length
comes the terrible day when the cherished chain falls quite asunder. A
second coldness is so much easier than a first!
CHAPTER XVII.
"One silly cross
Wrought all my loss.
O frowning fortune!"
--_The Passionate Pilgrim._
It was an unfortunate thing,--nay, more, it was an unheard-of thing
(because for a man to fall in love with his own wife has in it all the
elements of absurdity, and makes one lose faith in the wise saws and
settled convictions of centuries),--but the fact remained. From the
moment Sir Penthony Stafford came face to face with his wife in the
corridor at Herst he lost his heart to her.
There only rested one thing more to make the catastrophe complete, and
that also came to pass: Cecil was fully and entirely aware of his
sentiments with regard to her.
What woman but knows when a man loves her? What woman but knows (in
spite of all the lies she may utter to her own heart) when a man has
ceased to love her? In dark moments, in the cruel quiet of midnight,
has not the terrible certainty of her loss made her youth grow dead
within her?
Cecil's revenge has come, and I hardly think she spares it.
Scrupulously, carefully, she adheres to her _role_ of friend,
never for an instant permitting him to break through the cold barricade
of mere good-fellowship she has raised between them.
Should he in an imprudent moment seek to undermine this barrier, by a
word, a smile, sweet but chilling, she expresses either astonishment or
amusement at his presumption (the latter being perhaps the more
murderous weapon of the two, as ridicule is death to love), and so
checks him.
To her Sir Penthony is an acquaintance,--a rather amusing one, but
still an acquaintance only,--and so she gives him to understand; while
he chafes and curses his luck a good deal at times, and--grows
desperately jealous.
The development of this last quality delights Cecil. Her flirtation
with Talbot Lowry,--not that it can be called a flirtation, being a
very one-sided affair, the affection Talbot entertains for her being
the only affection about it,--carefully as he seeks to hide it,
irritates Sir Penthony beyond endurance, and, together with her marked
coldness and apparent want of desire for his society, renders him
thoroughly unhappy.
Public-domain text, read in full here on John Shaqi.
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