"Now that Mr. Amherst has induced us all to stay, don't you think he
might do something to vary the entertainment?" says Cecil, in a faintly
injured tone. "Shooting is all very well, of course, for those who like
it; and so is tennis; and so are early hours; but _toujours
perdrix_. I confess I hate my bed until the small hours are upon me.
Now, if he would only give a ball, for instance! Do you think he would,
Marcia, if he was asked?"
"How can I say?"
"Would _you_ ask him, dear?"
"Well, I don't think I would," replies Marcia, with a rather forced
laugh; "for this reason, that it would not be of the slightest use. I
might as well ask him for the moon. If there is one thing he distinctly
abhors, it is a ball."
"But he might go to bed early, if he wished," persists Cecil; "none of
us would interfere or find fault with that arrangement. We would try
and spare him, dear old thing. I don't see why our enjoyment should put
him out in the least, if he would only be reasonable. I declare I have
a great mind to ask him myself."
"Do," says Molly, eagerly, who is struck with admiration at the entire
idea, having never yet been to a really large ball.
"I would rather somebody else tried it first," confesses Cecil, with a
frank laugh. "A hundred times I have made up my mind to ask a favor of
him, but when I found myself face to face with him, and he fixed me
with his eagle eye, I quailed. Molly, you are a new importation; try
your luck."
"Well, I don't mind if I do," says Molly, valiantly. "He can't say
worse than 'No.' And here he is, coming slowly along under the balcony.
Shall I seize the present opportunity and storm the citadel out of
hand? I am sure if I wait I shall be like Bob Acres and find my courage
oozing out through my fingers."
"Then don't," says Cecil. "If he molests you badly, I promise to
interfere."
Molly steps on to the balcony, and, looking down, awaits the slow and
languid approach of her grandfather. Just as he arrives beneath her she
bends over until he, attracted by her presence, looks up.
She is laughing down upon him, bent on conquest, and has a blood-red
rose in one hand. She waves it slightly to and fro, as though
uncertain, as though dallying about giving utterance to some thought
that pines for freedom.
The old man, pausing, looks up at her, and, looking, sighs,--perhaps
for his dead youth, perhaps because she so much resembles her mother,
disowned and forgotten.
"Have a rose, grandpapa?" says Molly, stooping still farther over the
iron railings, her voice sweet and fresh as the dead and gone
Eleanor's. As she speaks she drops the flower, and he dexterously, by
some fortuitous chance, catches it.
"Well done!" cries she, with a gay laugh, clapping her hands, feeling
half surprised, wholly amused, at his nimbleness. "Yet stay, grandpapa,
do not go so soon. I--have a favor to ask of you."
"Well?"
Public-domain text, read in full here on John Shaqi.
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