"Don't be earnest, Philip," interrupts she, with a frown, and a sudden
change of tone, raising her head, and regarding him with distasteful
hauteur; "there is nothing I detest so much; and _your_ earnestness
especially wearies me. When I spoke I was merely jesting, as you must
have known. I do not want your love. I have told you so before. Let my
hands go, Philip; your touch is _hateful_ to me."
He drops her hands as though they burned him; and she, with flushed
cheeks and a still frowning brow, turns abruptly away, leaving him
alone,--angered, hurt, but still adoring.
Ten minutes later, her heart--a tender one--misgives her. She has been
unjust to him,--unkind. She will return and make such reparation as
lies in her power.
With a light step she returns to the tea-room, where she left him, and,
looking gently in, finds he has neither stirred nor raised his head
since her cruel words cut him to the heart. Ten minutes,--a long
time,--and all consumed in thoughts of her! Feeling still more
contrite, she approaches him.
"Why, Philip," she says, with an attempt at playfulness, "still
enduring 'grinding torments?' What have I said to you? You have taken
my foolish words too much to heart. That is not wise. Sometimes I
hardly know myself what it is I have been saying."
She has come very near to him,--so near that gazing up at him
appealingly, she brings her face in dangerously close proximity to his.
A mad desire to kiss the lips that sue so sweetly for a pardon fills
him, yet he dares not do it. Although a man not given to self-restraint
where desire is at elbow urging him on, he now stands subdued,
unnerved, in Molly's presence.
"Have I really distressed you?" asks she, softly, his strange silence
rendering her still more remorseful. "Come,"--laying her hand upon his
arm,--"tell me what I have done."
"'Sweet, you have trod on a heart,'" quotes Philip, in so low a tone as
to be almost unheard. He crosses his hand tightly over hers for an
instant; a moment later, and it is she who--this time--finds herself
alone.
In the next room success is crowning their efforts. When Molly
re-enters, she finds the work almost completed. Just a finishing touch
here and there, and all is ended.
"I suppose I should consider myself in luck: I have still a little skin
left," says Sir Penthony, examining his hand with tender solicitude. "I
don't think I fancy decorating: I shan't take to the trade."
"You--should have put on gloves, you know, and that," says Grainger,
who is regarding his dainty fingers with undisguised sadness,--something
that is _almost_ an expression on his face.
"But isn't it awfully pretty?" says Lady Stafford, gazing round her
with an air of pride.
"Awfully nice," replies Molly.
"Quite too awfully awful," exclaims Mr. Potts, with exaggerated
enthusiasm, and is instantly suppressed.
Public-domain text, read in full here on John Shaqi.
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