In the doorway he meets Marcia; she, too, has been a witness of the
garden scene, and as he passes her she glances up at him with a curious
smile.
"If you wish to keep her you should look after her," she whispers, with
white lips.
"If she needs looking after, I do _not_ wish for her," he answers,
bitterly, and the next moment could kill himself, in that he has been
so far wanting in loyalty to his most disloyal love.
With his mind quite made up, he waits through two dances silently,
almost motionless, with his back against a friendly wall, hardly taking
note of anything that is going on around him, until such time as he can
claim another dance from Molly.
It comes at last: and, making his way through the throng of dancers, he
reaches the spot where, breathless, smiling, she sits fanning herself,
an adoring partner dropping little honeyed phrases into her willing
ear.
"This is our dance," Luttrell says, in a hard tone, standing before
her, with compressed lips and a pale face.
"Is it?" with a glance at her card.
"Never mind your card. I know it is ours," he says, and, offering her
his arm, leads her, not to the ball-room, but on to a balcony, from
which the garden can be reached by means of steps.
Before descending he says,--always in the same uncompromising tone:
"Are you cold? Shall I fetch you a shawl?"
And she answers:
"No, thank you. I think the night warm," being, for the moment, carried
away by the strangeness and determination of his manner.
When they are in the garden, and still he has not spoken, she breaks
the silence.
"What is it, Teddy?" she asks, lightly. "I am all curiosity. I never
before saw you look so angry."
"'Angry'?--no,--I hardly think there is room for anger. I have brought
you here to tell you--I will not keep to my engagement with you--an
hour longer."
Silence follows this declaration,--a dead silence, broken only by the
voices of the night and the faint, sweet, dreamy sound of one of
Gungl's waltzes as it steals through the air to where they stand.
They have ceased to move, and are facing each other in the narrow
pathway. A few beams from the illumined house fall across their feet;
one, more adventurous than the rest, has lit on Molly's face, and
lingers there, regardless of the envious moonbeams.
How changed it is! All the soft sweetness, the gladness of it, that
characterized it a moment since, is gone. All the girlish happiness and
excitement of a first ball have vanished. She is cold, rigid, as one
turned to stone. Indignation lies within her lovely eyes.
"I admit you have taken me by surprise," she says, slowly. "It is
customary--is it not?--for the one who breaks an engagement to assign
some reason for so doing?"
"It is. You shall have my reason. Half an hour ago I stood at that
window,"--pointing to it,--"and saw you in the shrubberies--with--Shadwell!"
"Yes? And then?"
Public-domain text, read in full here on John Shaqi.
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