"What a pity it is that grief should be so unbecoming!" says Cecil,
laughing. "I always think what a guy Niobe must have been if she was
indeed all tears."
"The worst thing about crying, I think," says Molly, "is the fatal
desire one feels to blow one's nose: that is the horrid part of it. I
knew I was looking odious all the time I was weeping over my ring, and
that added to my discomfort. By the bye, Cecil, what were you doing at
the table with a pencil just before we broke up to-night? Sir Penthony
was staring at you fixedly all through,--wondering, I am sure, at your
occupation, as, to tell the truth, was I."
"Nothing very remarkable. I was inditing a 'sonnet to your eyebrow,' or
rather to your lids, they were so delicately tinted, and so much in
unison with the extreme dejection of your entire bearing. I confess,
unkind as it may sound, they moved me to laughter. Ah! that reminds
me," says Cecil, her expression changing to one of comical terror, as
she starts to her feet, "Plantagenet came up at the moment, and lest he
should see my composition I hid it within the leaves of the
blotting-book. There it is still, no doubt. What shall I do if any one
finds it in the morning? I shall be read out of meeting, as I have an
indistinct idea that, with a view to making you laugh, I rather
caricatured every one in the room, more or less."
"Shall I run down for it?" says Molly. "I won't be a moment, and you
are quite undressed. In the blotting-book, you said? I shan't be any
time."
"Unless the ghosts detain you."
"Or, what would be much worse, any of our friends."
CHAPTER XXVI.
"A single stream of all her soft brown hair
Poured on one side.
* * *
Half light, half shade,
She stood, a sight to make an old man young."
--_Gardener's Daughter._
Thrusting her little bare feet into her slippers, she takes up a candle
and walks softly down the stairs, past the smoking and billiard-rooms,
into the drawing-room, where the paper has been left.
All the lamps have been extinguished, leaving the apartment, which is
immense, steeped in darkness. Coming into it from the brilliantly-lighted
hall outside, with only a candle in her hand, the gloom seems even
greater, and overcomes her sight to such a degree that she has traversed
at least one-half its length before she discovers she is not its only
occupant.
Seated before a writing-table, with his hand, indeed, upon the very
blotting-book she seeks, and with only another candle similar to hers
to lend him light, sits Luttrell.
As her eyes meet his she starts, colors violently, and is for the
moment utterly abashed.
Involuntarily she glances down at the soft blue dressing-gown she
wears, over which her hair--brushed and arranged for the night--falls
in soft, rippling, gold-brown masses, and from thence to the little
naked feet that peep out shamelessly from their blue slippers.
Public-domain text, read in full here on John Shaqi.
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