The gardener's news has been worse than even he anticipated. To be
bereft of their dearest is bad enough, but to be thrown penniless on
the mercies of the cold and cruel--nay, rather thoughtless--world is
surely an aggravation of their misery. Death at all times is a
calamity; but when it leaves the mourners without actual means of
support, how much sadder a thing it is! To know one's comforts shall
remain unimpaired after the loss of one's beloved is--in spite of all
indignant denial--a solace to the most mournful.
CHAPTER XXVIII.
"As the earth when leaves are dead,
As the night when sleep is sped,
As the heart when joy is fled,
I am left lone--alone."
--Shelley.
Meantime, Molly, having listened vaguely and without interest, yet with
a curious intentness, to his parting footfalls, as the last one dies
away draws herself up and, with a sigh or two, moves instinctively
toward the door she had pointed out to Luttrell.
No one has told her, no hint has reached her ears. It is not his usual
bedroom, yet she knows that within that door lies all that remains to
her of the brother so fondly loved.
With slow and lagging steps, with bent head and averted eyes, she
creeps tardily near, resting with her hand upon the lock to summon
courage to meet what must be before her. She feels faint,--sick with a
bodily sickness,--for never yet has she come face to face with Death.
At last, bringing her teeth firmly together, and closing her eyes, by
an immense effort she compels herself to turn the handle of the door,
and enters.
Letitia is seated upon the floor beside the bed, her head lowered, her
hands folded tightly in her lap. There is no appearance of mourning so
far as garments are concerned. Of course, considering the shortness of
the time, it would be impossible: yet it seems odd, out of keeping,
that she should still be wearing that soft blue serge, which is
associated with so many happy hours.
She is not weeping: there are no traces, however faint, of tears. Her
cheeks look a little thinner, more haggard, and she has lost the
delicate girlish color that was her chief charm; but her eyes, though
black circles surround them,--so black as to suggest the appliance of
art,--have an unnatural brilliancy that utterly precludes the
possibility of crying.
Some one has pulled a piece of the blind to one side, and a fitful
gleam of sunlight, that dances in a heartless manner, flickers in and
out of the room, nay, even strays in its ghastly mirth across the bed
where the poor body lies.
As Molly walks, or rather drags her limbs after her, into the chamber
(so deadly is the terror that has seized upon her), Letitia slowly
raises her eyes.
She evinces no surprise at her sister's home-coming.
Public-domain text, read in full here on John Shaqi.
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