"Ah, indeed, Miss Massereene, and so 'twas. But you are tired, my dear,
no doubt, and a'most faint for a glass of wine. Come and take off your
things and rest yourself a bit, while I tell Mr. Amherst of your
arrival."
In half an hour, refreshed and feeling somewhat bolder, Molly descends,
and, gaining the library door, where her grandfather awaits her, she
opens it and enters.
As, pale, slender, black-robed, she advances to his side, Mr. Amherst
looks up.
"You have come," he says, holding out his hand to her, but not rising.
There is a most unusual nervousness and hesitancy about his manner.
"Yes. You wrote for me, and I came," she answers simply, stooping, as
in duty bound, to press her lips to his cheek.
"Are you well?" he asks, scrutinizingly, struck by the difference in
her appearance since last he saw her.
"Yes, thank you, quite well."
"I am sorry to see you in such trouble." There is a callousness about
the way in which these words are uttered that jars upon Molly. She
remembers on the instant all his narrow spleen toward the one now gone.
"I am,--in sore trouble," she answers, coldly.
A pause. Mr. Amherst, although apparently full of purpose, clearly
finds some difficulty about proceeding. Molly is waiting in impatient
silence.
"You wished to speak to me, grandpapa?" she says, at length.
"Yes,--yes. Only three days ago I heard you had been left--badly
provided for. Is this so?"
"It is."
"And that"--speaking slowly--"you had made up your mind to earn your
own living. Have I still heard correctly?"
"Quite correctly. Mr. Buscarlet would be sure to give you a true
version of the case."
"The news has upset me." For the first time he turns his head and
regards her with a steady gaze. "I particularly object to your doing
anything of the kind. It would be a disgrace, a blot upon our name
forever. None of our family has ever been forced to work for daily
bread. And I would have you remember you are an Amherst."
"Pardon me, I am a Massereene."
"You are an Amherst." With some excitement and considerable irritation.
"Your mother must count in some way, and you--you bear a strong
resemblance to every second portrait of our ancestors in the gallery
upstairs. I wrote, therefore, to bring you here that I might personally
desire you to give up your scheme of self-support and come to live at
Herst as its mistress."
"'Its mistress'!" repeats Molly, in utter amazement. "And how about
Marcia?"
"She shall be amply portioned,--if you consent to my proposal."
She is quite silent for a moment or two, pondering slowly; then, in a
low, curious tone, she says:
"And what is to become of my sister?"
"Your step-sister-in-law, you mean." Contemptuously. "I dare say she
will manage to live without your assistance."
Molly's blue eyes here show signs of coming fight; so do her hands.
Although they hang open and motionless at her sides, there is a certain
tension about the fingers that in a quick, warm temperament betokens
passion.
Public-domain text, read in full here on John Shaqi.
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