"Your love," replies he, kissing the weak-minded little pucker off her
forehead and the pretended pout from her lips, without this time
saying, "by your leave," or "with your leave."
"And when you have it, what then?"
"I shall be the happiest man alive."
"Then _be_ the happiest man alive," murmurs she, with tears in her
eyes, although the smile still lingers round her lips.
It is thus she gives in.
"And when," asks Stafford, half an hour later, all the retrospective
confessions and disclosures having taken some time to get
through,--"when shall I install a mistress in the capacious but
exceedingly gloomy abode my ancestors so unkindly left to me?"
"Do not even think of such a thing for ever so long. Perhaps next
summer I may----"
"Oh, nonsense! Why not say this time ten years?"
"But at present my thoughts are full of my dear Molly. Ah! when shall I
see her as happy as--as--I am?"
Here Sir Penthony, moved by a sense of duty and a knowledge of the
fitness of things, instantly kisses her again.
He has barely performed this necessary act when the redoubtable Charles
puts his head in at the door and says:
"The carriage is waiting, my lady."
"Very good," returns Lady Stafford, who, according to Charles's version
of the affair, a few hours later, is as "red as a peony." "You will
stay here, Penthony,"--murmuring his name with a grace and a sweet
hesitation quite irresistible,--"while I go and make ready for our
drive."
CHAPTER XXXV.
"When I arose and saw the dawn,
I sigh'd for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary day turn'd to his rest,
Lingering like an unloved guest,
I sighed for thee."
--Shelley.
In her own small chamber, with all her pretty hair falling loosely
round her, stands Molly before her glass, a smile upon her lips. For is
not her lover to be with her in two short hours? Already, perhaps, he
is on his way to her, as anxious, as eager to fold her in his arms as
she will be to fly to them.
A sweet agitation possesses her. Her every thought is fraught with joy;
and if at times a misgiving, a suspicion of the hopelessness of it all,
comes as a shadow between her and the sun of her content (for is not
her marriage with Luttrell a thing as remote now as when they parted?),
she puts it from her and refuses to acknowledge a single flaw in this
one day's happiness.
She brushes out her long hair, rolling it into its usual soft knot
behind, and weaves a kiss or two and a few tender words into each rich
coil. She dons her prettiest gown, and puts on all the bravery she
possesses, to make herself more fair in the eyes of her beloved, lest
by any means he should think her less worthy of regard than when last
he saw her.
With a final, almost dissatisfied, glance at the mirror she goes
down-stairs to await his coming, all her heart one glad song.
Public-domain text, read in full here on John Shaqi.
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