There was perfect silence in the pleasant study while Edwin Green
carefully perused the well-written manuscript. An occasional involuntary
chuckle was all that broke the quiet when one of Aunt Mary’s witticisms
brought back the figure of the old darkey to his mind. When he had
finished, which was in a very few minutes, as the sketch was a short
one, he carefully rolled the paper and remained silent. Molly felt as
though she would scream if he did not say something, but not a word did
he utter, only sat and rolled the manuscript and smiled an inscrutable
smile. Finally she could stand it no longer.
“I am sorry to have bothered you, Professor Green. I know it is hard for
you to have to tell me the truth, so I won’t ask you.” She reached for
the roll of paper, her hand shaking a little with excitement.
“Oh, please excuse me. Do you know, I took you at your word and forgot I
knew you, and forgot how much I liked you; forgot everything in fact but
Aunt Mary and the ‘Basket Funeral.’ My dear girl, you have done a
wonderful little bit of writing, simple, natural, sincere. I
congratulate you and envy you.”
And what should Molly do, great, big, grown-up postgraduate that she
was, but behave exactly as the little Freshman had four years before
when this same august professor had rescued her from the locked
Cloisters: she burst into tears. At that crucial moment the rattle of
tea cups was heard as Mrs. Brady came lumbering down the hall, and Molly
had to compose herself and make out she had a bad cold.
“Have some hot soup,” said the young man, and both of them laughed.
“It was natural for me to blubber, after all,” said Molly, after Mrs.
Brady had taken her departure. “When you sat there so still, with your
lips so tightly closed, I felt exactly as I did four years ago, shut out
in the cold with all the doors locked; and when you finally spoke it was
like coming into your warm pleasant study again with you being kind to
me just as you were to the little scared Freshman. Do you know, I like
my picture of Aunt Mary, too, and when I thought you didn’t like it I
felt forlorn indeed.”
“I notice one thing, Miss Molly Brown of Kentucky doesn’t cry until
everything is over. The little Freshman didn’t blubber while she was
locked out, but waited until she got into the pleasant study, and now
the ancient postgrad is able to restrain her tears until the awful ogre
of a critic praises her work. Now let’s have another cup of tea all
around and show me what else you have brought.”
“I hesitate to show you this more than the other thing, after your
cutting remarks about would-bes. But I want you to read this so you can
tell me what this letter means that I got from the editor of a magazine,
when he politely returned my rejected poem.”
“Read me the poem yourself. Would you mind? Poetry should always be read
aloud, I think; and afterward I will see what I think the editor meant.”
[Illustration: “Read me the poem yourself. Would you mind?”—Page 218.]
Public-domain text, read in full here on John Shaqi.
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