Molly McDonald: A Tale of the Old FrontierParrish, Randall
General
Molly McDonald: A Tale of the Old Frontier
Parrish, Randall
Women pioneers -- Fiction
What could the woman possibly want of him? To explain the past? To
justify herself? He knew enough already, and desired to know no more.
Could she hope--natural coquette that she was--to regain her hold upon
him? The man smiled grimly, confident of his own strength. Yet why
should she care for such a conquest, the winning of a common soldier?
There must be some better reason, some more subtle purpose. Could it
be that she feared him, that she was afraid that he might speak to her
injury? This was by far the most likely supposition. Molly
McDonald--the woman was aware of their acquaintance, and was already
alarmed at its possible result.
Hamlin stood up resolved. He would meet the woman, not from any desire
of his own, but to learn her purpose, and protect the girl. The
meeting could not injure him, not even bring a swifter beating of the
heart, but might give him opportunity to serve the other. And Le
Fevre--surely she could tell him something of Le Fevre.
Leave was easily obtained, and the Sergeant, rejoicing in a freshly
issued uniform, dressed with all the care possible, his interest
reviving at this new point of view. It was not far down the bluff road
to the squalid little village which had naturally developed in close
proximity to the fort--near enough for protection, yet far enough
removed to be lawless--a rough frontier outpost town, of shacks and
tents, most of these dispensing vile liquors. Among these, more
enterprising spirits--hopeful of future development--had erected larger
buildings, usually barn-like, with false fronts facing the single main
street, filled with miscellaneous stocks of goods or used for purposes
not so legitimate. One of these housed the "Poodle Dog" saloon, with
gambling rooms above, while a few doors below was a great dance hall,
easily converted into a theatre if occasion arose,--a grotesque,
one-storied monstrosity. Below these was the stage office, built
against the three-storied wooden hotel, which boasted of a wide porch
on two sides, and was a picture of ugliness.
Public-domain text, read in full here on John Shaqi.
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