Monarchs of minstrelsy, from "Daddy" Rice to dateRice, Edw. Le Roy (Edward Le Roy)
History
Monarchs of minstrelsy, from "Daddy" Rice to date
Rice, Edw. Le Roy (Edward Le Roy)
Actors -- United States; Minstrel shows
July, 1890, was it not? At that time Lew had given up the minstrel
business entirely. I recall Lew Dockstader dropping in one day and
inquiring how he (Simmons) liked the business? “Like it?” said the
senior Lew, “why I am perfectly happy; I wouldn’t go back in the
business again for $100 per week.” (I remember it was PER week.) But he
did, a couple of years later, and from all appearances looks good for a
few more. I joined my father’s troupe. We opened at Elizabeth, N. J.,
on July 17th. In the company were Billy Birch, Frank Moran, Frank Kent
and Bob Slavin; all since passed away.
Old minstrel _habitues_ will recall that nigger-act wherein one of the
performers declares loudly to his friends that he is boss in his own
home, how he rules the ranch and so on; and just as he is saying it
his wife would show up then he would inflict dire punishment upon her,
she comes running down the aisle from the front of the house saying,
“Where’s my husband?” gathers her lesser half by the ear and amidst the
jeers of his companions, carries him away.
[Illustration: Being a Truthful Portrayal of the Author’s First
Appearance on Any Stage; Morristown, N. J., July 18, 1890.]
At the second performance, at Morristown, N. J., I was cast for the
enraged spouse. I believe I was made up for the part fully an hour
before the house opened. How nervous I was awaiting my cue, but when
it came, my ears seemed to hear nothing but wife, wife, wife, and
instead of saying, “Where’s my husband?” I said, “Where’s my wife?”
* * * I won’t repeat what my father said, but what with the tears of
mortification that flowed from my eyes and the perspiration from the
pores of my face, almost made washing-up a superfluity.
After that awful first night I got away with the part without any
trouble, and even indulged in conversations while awaiting my cue,
which I had always thought to be a physical impossibility.
Billy Birch, who was with us, used to suffer severely from rheumatism,
and just before parade would say to me, “‘Cully,’ would you mind
going over to the hotel, on the bureau, right hand side, and get my
medicine?” Would I go? I felt honored.
At the opening performance we had a song and dance team who, like
myself, were just breaking into the business. Their act was not an
unqualified success and extra tickets to Morristown were not purchased.
Some one asked Bob Slavin what he thought of the act, to which he
replied: “As a success, they’re a failure; as a failure, they’re a
success.”
The company closed early in November and a couple of weeks before
Christmas I consented to wrap parcels at Wanamaker’s store in
Philadelphia for a small weekly stipend. It was hard to work for wages
after having received a salary.
Public-domain text, read in full here on John Shaqi.
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