Banks and banking -- France -- History -- 19th -- Fiction
With his pretty face, girlish but no longer fresh, his eyes blue and
clear, hiding the emptiness of his brain, he had just left the bath,
and, his skin cool and balmy, had slipped on an elegant white flannel
costume. Through the door could still be heard the dripping from one
of the bath taps, and a strong flowery perfume ascended from the soft
warm water.
'No, no; it is not so serious,' she answered, put out by the quietly
jesting tone of the question. 'And yet what I have to say to you
embarrasses me a little. You will excuse me for thus falling in upon
you----'
'It's true I dine out, but I have time enough to dress. Come, what is
the matter?'
He waited, and now she hesitated, and began to stammer, greatly struck
by all the luxury and enjoyable refinement which she perceived about
her. Cowardice seized upon her; and she could not find courage to tell
the whole story. Was it possible that existence, so stern to the child
of chance over yonder, in the sink of the Cité de Naples, had shown
itself so prodigal to this one, living amid such well-ordered wealth?
So much vile wretchedness, hunger, and filth on the one hand, and on
the other such exquisite refinement, abundance, and beautiful life.
Could money, then, be education, health, intelligence? And if the same
human mud remained beneath, did not all civilisation consist in the
superiority of smelling nice and living well?
'_Mon Dieu_!' said she, 'it is such a story! But I believe I do right
in telling it to you. For that matter, I am obliged to; I have need of
you.'
Maxime at first listened to her standing; then he sat down in front
of her, his legs giving way, such was his surprise. And when she had
finished, he exclaimed: 'What, what! So I am not the only son! A
frightful little brother falls on me from the sky, without so much as
shouting "Look out!"'
She thought he spoke from an interested motive, and made an allusion to
the question of inheritance.
'Oh! an inheritance from papa!' said he.
And he made a gesture of ironical carelessness, which she did not
understand. What--what did he mean? Did he not believe in his father's
great qualities, his certainty of attaining to fortune?
'No, no, I have my pile,' he added. 'I need nobody. But really this is
such a queer affair that I cannot help laughing at it.'
And he did laugh, but in a vexed, anxious, hollow fashion, thinking
only of himself, not yet having had time to consider what good or harm
this event might bring him. He felt that he lived altogether apart from
the others, and dropped a remark in which he brutally gave expression
to his real feelings: 'After all, what do I care?'
Having risen, he passed into the dressing-room, and came back directly
with a tortoiseshell polisher, with which he began gently rubbing his
nails. 'And what are you going to do with your monster?' he asked. 'He
cannot be put in the Bastille, like the Man with the Iron Mask.'
Public-domain text, read in full here on John Shaqi.
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