Banks and banking -- France -- History -- 19th -- Fiction
On the very afternoon of Hamelin's arrival Saccard arranged to see him
in the work-room, where they were certain of not being disturbed, in
order to submit to him the resolutions which the board of directors
would have to approve of before they could be laid before the
shareholders. By a tacit agreement, however, the brother and sister
met shortly before the time agreed upon, and finding themselves alone
together were in a position to talk freely. Hamelin had come back very
gay, delighted at having brought his complicated railway affair to
a successful issue in that Eastern country, which was slumbering in
idleness and where political, administrative, and financial obstacles
were ever cropping up to defeat all efforts. However, in his case, the
success was complete; they would start on the first works, work-yards
would be opened in all directions as soon as the company should be
definitely formed in Paris, and he was so enthusiastic, so confident
in the future, that Madame Caroline acquired yet another reason for
preserving silence--it would cost her so much to spoil that beautiful
delight. Nevertheless she expressed some doubts to put him on his guard
against the infatuation which was carrying away the public. He checked
her and looked her in the face. Did she know of anything suspicious? If
so, why didn't she speak out? And she did not speak, she was unable to
think of any precise charge.
When Saccard came into the room, not having yet seen Hamelin since
his return, he threw his arms round his neck and embraced him with
the exuberant affection of a man from the South. Then, when Hamelin
had confirmed his last letters and given him particulars of the
absolute success which had attended his long sojourn abroad, he waxed
enthusiastic. 'Ah! my dear fellow,' said he, 'this time we are going
to become the masters of Paris, the kings of the market. I have been
working hard too; I have an extraordinary idea; you shall see.'
Public-domain text, read in full here on John Shaqi.
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