The doctor coolly said: "A good conventional British ending. Why didn't he clap a pair of wings on the old reprobate and run him up on a wire, the way they used to do in translating little Eva in 'Uncle Tom's Cabin'?" Afterwards Mrs. Brent proposed that they go to a German restaurant and have some beer and skittles; but this struck harshly on Bertha, who still palpitated with the passion of the play. "I reckon we'd better not. The Captain is pretty tired, and, if you don't mind, we'll quit now." Without saying "I've had a lovely time," she shook hands all round, and, taking her husband's arm, moved off into the street, leaving her hostess a little uneasy and wholly perplexed. Mrs. Brent's joke about the Captain and his wife had, as the doctor expressed it, "queered the whole affair." "But how did she know?" "She's a good deal sharper than you gave her credit for being," he replied. "You Easterners never can learn to take diamonds in the rough." Bertha's mind was in tumult, and she wished to be alone. Mart irritated her. She refused to talk to him about the play or the dinner, and, turning him over to Lucius, went at once to her own bed. Thus far she had not attempted to closely analyze her relationship to Marshall Haney. He had been to her a good friend rather than a husband, a companion who needed her, and who had given her everything she asked for. Keenly forward, almost precocious on the calculative side, she had remained singularly untroubled on the emotional side. She knew that certain problems of sex existed in the world, and she was only mentally aware of temptations--she had never really felt them. Now all at once her whole nature awoke. Her mind engaged a legion of vaguely defined enemies. Out of the shadow stepped words of no weight, of no significance hitherto, encircling her, panoplied with meaning. The half-heard comment of the camp, the dimly perceived gossip of the Springs, the flattering looks of the artists--all helped her to see herself as she was: a handsome young girl, like that on the stage, married to a crippled middle-aged man of evil history. "But he is good to me," she argued against her new self. "I was poor, and he has made me rich; and all I've done is to nurse him and keep house for him." With this thought came a realization that she had never been a full and complete wife to him. And with a flush of shame and repulsion she added: "And now I never can be. No matter if he were to become as straight, as strong, and as handsome as he was in those days, I cannot love him as a wife should."