Humiston pursued this game with singular and joyous skill. He talked of the West and of politics with the Captain, and of love and art and his essentially lonely life to Bertha. He returned often to the wish that they might meet in Paris. "A trip abroad would do you infinite good," he insisted. "What you need is three years of life in Paris. With your beauty and money, and, above all, with your personal magnetism, you could reign like a queen. I wonder that you don't go. It would be worth more to you than any other possible schooling. I don't know of anything in this world that would give me greater pleasure than to show you Paris." Bertha's silence in face of these approaches deceived him. The throbbing of her bosom, the fall of her eyelashes, were due to instinctive distrust of him. That he was more dangerous than the rough miners and cowboys of the West she could not believe, and yet she drew back in growing fear of one who openly claimed the right to plow athwart all the barriers of law and custom. His mind's flight was like that of the eagle--now rising to the sun in exultation, now falling to the gray sea to slay. At times she felt a kind of gratitude that he should be willing to sit beside her and talk--he, so skilled, so learned, so famous. The Chicago papers were still filled with criticism of his work and his theories, and this discussion, as well as the appearance of his portrait in the magazines, had made of him a very exalted person in little Mrs. Haney's eyes, and the interest he took in her was too subtly flattering not to affect her. He seemed fond of the Captain, too, and often joined them in their trips about the city, and the fellows who had known Humiston in Paris and who did not know Bertha nodded knowingly. "Jerry's amusing himself, as usual. I wonder who she is?" He explained his poverty one day as he sat with her in the little gallery where his paintings were hung. "The fact is, while other men have been painting to order and doing 'stunts' for the Salon, I've gone on refining, seeking new shades, new allurements, subordinating line to color, story to harmony, till my work is sublimated beyond my public. The people that bought my things once can't follow me; it is only now and then that a man, or a woman _feels_ what I'm after--and so I live. I hold all things beautiful to paint, America does not." He liked her all the better because she did not try to say what she thought of his pictures, and when she insisted on taking one of them home he quickly stopped her. "I'm not asking you to take pity on me," he sharply said. And in this lay the subtlest touch of flattery he had yet used: the idea that she, an ignorant mountain girl, could be accused of patronizing a man so distinguished, so gifted as he, moved her in spite of all warnings. Why should she not use her money to help this wonderful artist?