Bertha inwardly recoiled from the canvas, for it was a painting of a nude figure of a girl at the bath. The critics had said, "It is naked, rather than nude," and the dealers objected to it on this ground, and to the Western girl it was both shocking and ugly. Before she had caught her breath he continued, in a tone that was at once a seduction and a defence: "There is nothing more beautiful in the world than the female form; it is the flower of flowers. Why should it not be painted?" And then, while still he argued for the return of the Greek's love of beauty, covering his moral depravity with the mantle of the philosopher, he placed another canvas before her--something so unrefined, so animal, so destructive of womanly modesty and of all reserve, that any one looking upon it would instantly know that the man who had painted it was a degenerate demon--an associate of dissolute models, an anarchist in the world of women. It was fit only for the banquet-halls of the damned. Bertha stared at it--fascinated by the sense of the tempter's nearness. It was as if a satyr had suddenly revealed his lawless soul to her. Her thinking for an instant chained her feet, and her silence emboldened him. Even as she turned to flee she felt his arm about her waist, his breath upon her cheek. "Don't go!" he pleaded, and in his eyes was the same look she had seen in the face of Charles Haney. At last he stood revealed. His artist soul could stoop as low in purpose as a drunken tramp. Beating him off with her strong hands, she ran down the hall and burst into the brilliantly lighted exhibition room such a picture of affrighted, outraged girlhood that the salesman stared upon her in wonder. His look of surprise warned Bertha of her danger. Composing herself by tremendous effort of the will, she closed the door and walked slowly out into the street, her brain in a tumult of anger and shame. It seemed at the moment as if every man she had ever known was a brute-demon seeking to destroy her. She understood now the reason for the great painter's flattering deference to her opinion. From the first he had sought to blind her. His ways were subtler than those of Charles Haney and his like, but his soul was no higher; it was indeed more ignoble, for he was of those who claim to dispense learning and light. Pretending to add beauty to the world, he was ready to feed himself at the cost of a woman's soul. She recalled Mrs. Moss' hints about his life in Paris, and understood at last that he had wilfully misread her homage and trust. A realization of this perfidy filled her with a fury of hate and disgust. Was Ben Fordyce like all the rest? Did his candor, his sweetness of smile, but veil another mode of approach? Was his kiss as vile in its disloyalty, his embrace as remorseless in its design?