Money-making men; or, how to grow richRitchie, J. Ewing (James Ewing)
General
Money-making men; or, how to grow rich
Ritchie, J. Ewing (James Ewing)
Rich people -- Biography
Actors and actresses also have made much money. Amongst the money-making
men may emphatically be placed David Garrick, who was fond of money, and
careful about it to the last. Some of our earlier circus people seem to
have made much money.—Batty was reputed to have died worth half a
million.—Ducrow gave himself extraordinary airs. When the Master Cutler
and Town Council of Sheffield paid Ducrow a visit, with the principal
manufacturers and their families, Ducrow sent word that he only waited on
crowned heads, and not upon a set of dirty knife-grinders.—Philip Astley
was born in 1742, at Newcastle-under-Lyme, where his father carried on
the business of a cabinet-maker. He received little or no education, and
after working a few years with his father, enlisted in a cavalry
regiment. His imposing appearance, being over six feet in height, with
the proportions of a Hercules, and the voice of a Stentor, attracted
attention to him; and his capture of a standard at the battle of Emsdorff
made him one of the celebrities of his regiment. While serving in the
army, he learned some feats of horsemanship from an itinerant equestrian
named Johnson, perhaps the man under whose management Price introduced
equestrian performances at Sadler’s Wells, and often exhibited them for
the amusement of his comrades. On his discharge from the army, he was
presented by General Elliot with a horse, and thereupon he bought another
in Smithfield, and commenced those open-air performances in Lambeth which
have already been noticed.
After a time he built a rude circus upon a piece of ground near
Westminster Bridge, which had been used as a timber-yard, being the site
of the theatre which has been known by his name for nearly a century.
Only the seats were roofed over, the ring in which he performed being
open to the air. One of his horses, which he had taught to perform a
variety of tricks, he soon began to exhibit, at an earlier period of each
day, in a large room in Piccadilly, where the entertainment was eked out
with conjuring and _ombres Chinoises_—a kind of shadow pantomine.
Having saved some money out of these performances, Astley erected his
amphitheatre. At the same time he had to contend with a fierce
competition from what was then the Royal Circus, which afterwards was
called the Surrey Theatre. Astley’s, however, soon became the popular
place of amusement, and as such was visited and described by Horace
Walpole. The fame of the place received a further illustration in the
remark of Dr. Johnson, who, speaking of the popularity of certain
preachers, and the ease with which they get a crowd to hear them, said,
“Were Astley to preach a sermon standing on his head, or on a horse’s
back, he would collect a multitude to hear him, but no wise man would say
he had made a better sermon for that.”
Public-domain text, read in full here on John Shaqi.
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