When her mourning kept her at home, M. de Camors passed the two first evenings with her until ten o’clock. But this effort fatigued him, and the poor young woman, who had already erected an edifice for the future on this frail basis, had the mortification of observing that on the third evening he had resumed his bachelor habits. This was a great blow to her, and her sadness became greater than it had been up to that time; so much so in fact, that solitude was almost unbearable. She had hardly been long enough in Paris to form intimacies. Madame Jaubert came to her friend as often as she could; but in the intervals the Countess adopted the habit of retaining Vautrot, or even of sending for him. Camors himself, three fourths of the time, would bring him in before going out in the evening. “I bring you Vautrot, my dear,” he would say, “and Shakespeare. You can read him together.” Vautrot read well; and though his heavy declamatory style frequently annoyed the Countess, she thus managed to kill many a long evening, while waiting the expected visit of Madame de Tecle. But Vautrot, whenever he looked at her, wore such a sympathetic air and seemed so mortified when she did not invite him to stay, that, even when wearied of him, she frequently did so. About the end of the month of April, M. Vautrot was alone with the Countess de Camors about ten o’clock in the evening. They were reading Goethe’s Faust, which she had never before heard. This reading seemed to interest the young woman more than usual, and with her eyes fixed on the reader, she listened to it with rapt attention. She was not alone fascinated by the work, but--as is frequently the case-she traced her own thoughts and her own history in the fiction of the poet. We all know with what strange clairvoyance a mind possessed with a fixed idea discovers resemblances and allusions in accidental description. Madame de Camors perceived without doubt some remote connection between her husband and Faust--between herself and Marguerite; for she could not help showing that she was strangely agitated. She could not restrain the violence of her emotion, when Marguerite in prison cries out, in her agony and madness: Marguerite. Who has given you, headsman, this power over me? You come to me while it is yet midnight. Be merciful and let me live. Is not to-morrow morning soon enough? I am yet so young--so young! and am to die already! I was fair, too; that was my undoing. My true love was near, now he is far away. Torn lies my garland; scattered the flowers. Don’t take hold of me so roughly! spare me! spare me. What have I done to you? Let me not implore you in vain! I never saw you before in all my life; you know. Faust. Can I endure this misery? Marguerite.