Detective and mystery stories; Murder -- Investigation -- Fiction
"But I've been advised to take Spolger's Soother."
"Then don't take it. Who advised you?"
"A lady."
"Humph! Only a woman would give such silly advice. If you're ill, come
to me like Spolger, and I'll cure you, but don't touch his medicine."
"Is it dangerous?"
"Not very. The pills are only bread, gum, and morphia."
"Morphia?"
"Yes; small quantity, of course. Not like that pill you gave me to
analyse the other day. Good heavens!" exclaimed Japix, as a sudden
idea struck him, "what do you mean?"
"I'll tell you to-night."
"When you come to dinner?"
"Yes; can I bring Axton with me?"
"By all means. Good day!"
"Good day!" replied Fanks, and darted back to his cab, where he found
Roger awaiting him.
"Roger," he said, when the vehicle started towards the Spolger
residence, "there may be something in that idea of yours after all."
"I think so. But why do you say that?"
"Because I've just discovered that Spolger puts morphia in his pills."
Chapter 12
The Spolger Soother
The residence of Mr. Spolger, situate about a mile beyond the town,
was a large and particularly ugly building constructed on strictly
hygienic principles. The inventor of the "Soother" had lived in an
ancient mansion, badly drained and badly ventilated, which had been
erected many years before; but when his son entered in possession of
his inheritance, he had pulled down the old house, and built a
barrack-like structure in which beauty gave way entirely to utility.
Square, aggressively square, with walls of glaring white stone, it
stood in the midst of a large piece of ground perfectly denuded of
trees, as Mr. Spolger deemed trees damp and unhealthy, so the bare
space was gravelled and asphalted like a barrack-yard. Plenty of
staring plate-glass windows admitted light into the interior, which
was composed of lofty square rooms, lofty oblong corridors, all
smoothly whitewashed.
The floors of polished wood, innocent of carpets, were dangerous to
the unwary, and the furniture, all of solid oak, was made for strength
rather than loveliness. There were few pictures on the walls, as Mr.
Spolger thought that looking at works of art strained the optic nerve,
and there were no draperies on the windows in case any disease might
lurk in them. The bare inside looked out on to the bare barrack
ground, and the treeless barrack ground looked into the glaring
inside, so it was all very nice and healthy and abominably ugly.
Public-domain text, read in full here on John Shaqi.
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