Detective and mystery stories; French fiction -- Translations into English
The smiling clerk, who had kept his place at his desk busily writing the
whole while, now rose to his feet, glad of an opportunity to stretch his
limbs and snap his fingers, cramped by holding the pen. Still, he was
not in the least degree bored. He invariably took a semi-theatrical
interest in the dramas that were daily enacted in his presence; his
excitement being all the greater owing to the uncertainty that shrouded
the finish of the final act--a finish that only too often belied the
ordinary rules and deductions of writers for the stage.
“What a knave!” he exclaimed after vainly waiting for the magistrate or
the detective to express an opinion, “what a rascal!”
M. Segmuller ordinarily put considerable confidence in his clerk’s long
experience. He sometimes even went so far as to consult him, doubtless
somewhat in the same style that Moliere consulted his servant. But, on
this occasion he did not accept his opinion.
“No,” said he in a thoughtful tone, “that man is not a knave. When I
spoke to him kindly he was really touched; he wept, he hesitated. I
could have sworn that he was about to tell me everything.”
“Ah, he’s a man of wonderful power!” observed Lecoq.
The detective was sincere in his praise. Although the prisoner had
disappointed his plans, and had even insulted him, he could not help
admiring his shrewdness and courage. He--Lecoq--had prepared himself for
a strenuous struggle with this man, and he hoped to conquer in the end.
Nevertheless in his secret soul he felt for his adversary, admiring that
sympathy which a “foeman worthy of one’s steel” always inspires.
“What coolness, what courage!” continued the young detective. “Ah!
there’s no denying it, his system of defense--of absolute denial--is a
masterpiece. It is perfect. How well he played that difficult part of
buffoon! At times I could scarcely restrain my admiration. What is a
famous comedian beside that fellow? The greatest actors need the adjunct
of stage scenery to support the illusion, whereas this man, entirely
unaided, almost convinced me even against my reason.”
“Do you know what your very appropriate criticism proves?” inquired the
magistrate.
“I am listening, sir.”
“Ah, well! I have arrived at this conclusion--either this man is really
May, the stroller, earning his living by paying compliments, as he
says--or else he belongs to the highest rank of society, and not to the
middle classes. It is only in the lowest or in the highest ranks that
you encounter such grim energy as he has displayed, such scorn of life,
as well as such remarkable presence of mind and resolution. A vulgar
tradesman attracted to the Poivriere by some shameful passion would have
confessed it long ago.”
“But, sir, this man is surely not the buffoon, May,” replied the young
detective.
Public-domain text, read in full here on John Shaqi.
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