Detective and mystery stories; French fiction -- Translations into English
“Unfortunately, sir, I can tell you nothing more,” calmly replied the
landlady.
Lecoq reflected for a moment, knitting his brows and biting his lips,
as if he were trying to discover some means of solving the mystery. In
point of fact, he was seeking for some adroit phrase which might lead
this woman to show him the register in which all travelers are compelled
to inscribe their full names, profession, and usual residence. At the
same time, however, it was necessary that he should not arouse her
suspicions.
“But, madame,” said he at last, “can’t you remember the name this man
gave you? Was it May? Try to recollect if that was the name--May--May!”
“Ah! I have so many things to remember. But now I think of it, and the
name must be entered in my book, which, if it would oblige you, I can
show you. It is in the drawer of my writing-table. Whatever can I have
done with my keys?”
And while the hostess, who seemed to possess about as much intelligence
as her starling, was turning the whole office upside down looking for
her keys, Lecoq scrutinized her closely. She was about forty years of
age, with an abundance of light hair, and a very fair complexion.
She was well preserved--that is to say, she was plump and healthy in
appearance; her glance was frank and unembarrassed; her voice was clear
and musical, and her manners were pleasing, and entirely free from
affectation.
“Ah!” she eventually exclaimed, “I have found those wretched keys at
last.” So saying, she opened her desk, took out the register, laid it
on the table, and began turning over the leaves. At last she found the
desired page.
“Sunday, February 20th,” said she. “Look, sir: here on the
seventh line--May--no Christian name--foreign artist--coming from
Leipsic--without papers.”
While Lecoq was examining this record with a dazed air, the woman
exclaimed: “Ah! now I can explain how it happened that I forgot the
man’s name and strange profession--‘foreign artist.’ I did not make the
entry myself.”
“Who made it, then?”
“The man himself, while I was finding ten francs to give him as change
for the louis he handed me. You can see that the writing is not at all
like that of other entries.”
Lecoq had already noted this circumstance, which seemed to furnish an
irrefutable argument in favor of the assertions made by the landlady
and the prisoner. “Are you sure,” he asked, “that this is the man’s
handwriting?”
In his anxiety he had forgotten his English accent. The woman noticed
this at once, for she drew back, and cast a suspicious glance at the
pretended foreigner. “I know what I am saying,” she said, indignantly.
“And now this is enough, isn’t it?”
Knowing that he had betrayed himself, and thoroughly ashamed of his lack
of coolness, Lecoq renounced his English accent altogether. “Excuse me,”
he said, “if I ask one more question. Have you this man’s trunk in your
possession?”
“Certainly.”
“You would do me an immense service by showing it to me.”
Public-domain text, read in full here on John Shaqi.
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