“Yes, sir; she is in the gallery outside.” “Let her come in then.” An instant later the hostess of the Poivriere entered the room, bowing to the right and to the left. This was not her first appearance before a magistrate, and she was not ignorant of the respect that is due to justice. Accordingly, she had arrayed herself for her examination with the utmost care. She had arranged her rebellious gray locks in smooth bandeaux, and her garments, although of common material, looked positively neat. She had even persuaded one of the prison warders to buy her--with the money she had about her at the time of her arrest--a black crape cap, and a couple of white pocket-handkerchiefs, intending to deluge the latter with her tears, should the situation call for a pathetic display. She was indeed far too knowing to rely solely on the mere artifices of dress; hence, she had also drawn upon her repertoire of grimaces for an innocent, sad, and yet resigned expression, well fitted, in her opinion, to win the sympathy and indulgence of the magistrate upon whom her fate would depend. Thus disguised, with downcast eyes and honeyed voice, she looked so unlike the terrible termagant of the Poivriere, that her customers would scarcely have recognized her. Indeed, an honest old bachelor might have offered her twenty francs a month to take charge of his chambers--solely on the strength of her good looks. But M. Segmuller had unmasked so many hypocrites that he was not deceived for a moment. “What an old actress!” he muttered to himself, and, glancing at Lecoq, he perceived the same thought sparkling in the young detective’s eyes. It is true that the magistrate’s penetration may have been due to some notes he had just perused--notes containing an abstract of the woman’s former life, and furnished by the chief of police at the magistrate’s request. With a gesture of authority M. Segmuller warned Goguet, the clerk with the silly smile, to get his writing materials ready. He then turned toward the Widow Chupin. “Your name?” he asked in a sharp tone. “Aspasie Claperdty, my maiden name,” replied the old woman, “and to-day, the Widow Chupin, at your service, sir;” so saying, she made a low courtesy, and then added: “A lawful widow, you understand, sir; I have my marriage papers safe in my chest at home; and if you wish to send any one--” “Your age?” interrupted the magistrate. “Fifty-four.” “Your profession?” “Dealer in wines and spirits outside of Paris, near the Rue du Chateau-des-Rentiers, just beyond the fortifications.” A prisoner’s examination always begins with these questions as to individuality, which gives both the magistrate and the culprit time to study each other, to try, as it were, each other’s strength, before joining in a serious struggle; just as two duelists, about to engage in mortal combat, first try a few passes with the foils.